Buch, Englisch, 505 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 450 g
Buch, Englisch, 505 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 450 g
ISBN: 978-0-323-85667-6
Verlag: William Andrew Publishing
Zielgruppe
<p>Researchers in social psychology and personality, applied psychology, industrial/organizational behavior.</p>
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
SECTION I. INTRODUCTION 1. The AMORAL model of dark creativity 2. An interdisciplinary perspective on creativity and morality 3. Beyond malevolent and benevolent: Why creativity and morality have more in common than we expect 4. Morality and creativity
SECTION II. CREATIVITY, MORALITY, AND THE ARTS 5. The relation between aesthetic and moral sensitivity 6. Can you or will you imagine? Ability and willingness to imagine fictional scenarios depends on the type of imaginary world 7. Video games, morality, and empathy
SECTION III. CREATIVITY, MORALITY, AND ORGANIZATIONS/TECHNOLOGY 8. Counterproductive work behaviors and creativity 9. The relationship between creativity and (un)ethical behaviors among employees and leaders 10. Creativity and morality in the world of technology: The intersection of creativity, design, and responsible problem solving
SECTION IV. DARK INFLUENCES ON CREATIVITY AND MORALITY 11. Creativity and individual and tribal ethical behavior 12. Creativity, malevolent creativity, and the Dark Triad 13. The intersection of morality, creativity, and deception
SECTION V. CREATIVITY, MORALITY, AND THE SELF 14. The mixed moral implications of the creative identity 15. The intersections of creativity and complex moral/immoral emotions 16. Morality and creativity