Buch, Englisch, Band 161, 354 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 696 g
Reihe: Costerus New Series
Irish Writing and History since 1798
Buch, Englisch, Band 161, 354 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 696 g
Reihe: Costerus New Series
ISBN: 978-90-420-2037-5
Verlag: Brill | Rodopi
The editors of the volumes, Dr Patricia A. Lynch, Dr Joachim Fischer, and Dr Brian Coates are all members of the Department of Languages and Cultural Studies of the University of Limerick, Ireland. Their fields of expertise lie in the literature, language and cultural aspects of Ireland, Germany, and Britain, and to the connections between these areas.
(see cvs above for details of publications)
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
Weitere Infos & Material
Acknowledgements
Patricia A. LYNCH, Joachim FISCHER and Brian COATES: Introduction
1798: Acts of Memory
John Wilson FOSTER: Guests of the Nation
Michael PARKER: Woven Figures: Seamus Heaney and Nationalist Tradition
Frank MOLLOY: Thomas Campbell’s “Exile of Erin”: English Poem, Irish Reactions
John F. HEALY: Seamus Heaney and the Croppies: 1798 and the Poet’s Early Political Inclinations
Narrating the Past
Teresa CASAL: “I did not know what to think, so I said nothing”: Narrative Politics in Castle Rackrent
Douglas G. S. SIMES: Redmond Count O’Hanlon, The Irish Rapparee: William Carleton and the Problematical Past
Jefferson HOLDRIDGE: “Unspeakable Home”: The Post-colonial Aesthetics of Irish Poetry from Beckett to McGuckian
Silvia DIEZ FABRE: Jennifer Johnston’s How Many Miles to Babylon? Questioning the Past Among Echoes of Literary History
Elke D’HOKER: Masks and Mirrors: Anthony Blunt’s True Confessions in John Banville’s The Untouchable
Christa VELTEN: “Be Faithful to the Routine Gestures, and the Bigger Thing Will Come to You: Old Themes in Fermentation in Brian Friel’s Give Me Your Answer, Do Irish Gothic
Kellie A. DONOVAN: Imprisonment in Castle Rackrent: Maria Edgeworth’s Use of Gothic Conventions
Mitsuko OHNO: Silenced Women/Women’s Silence: Reading into the Past
Derek HAND: A Gothic Nightmare: John Banville and Irish History
Images of Irish Culture
Mary Helen THUENTE: The Origin and Significance of the Angel Harp
Síghle Bhreathnach LYNCH: The Influence of J. M. Synge on the Art of Jack B. Yeats and Paul Henry
Adele DALSIMER and Vera KREILKAMP: Stepping out: Reading Rita Duffy’s Dancer
Nadia ZAKI BISHAI: Further Thoughts on Irish Poetry Set to Music, with Special Reference to the Art Song in Contemporary Irish Music
Lucy COLLINS: Marking Time: The Influence of Irish Traditional Music on the Poetry of Ciaran Carson
Women and Ireland
Margaret MAC CURTAIN: Writing Grief into Memory: Women, Language and Narrative
Kathleen COSTELLO-SULLIVAN: Silence and Power in Anglo-Irish Women’s Literature
Eileen FAUSET: Revaluations: The Significance of Women’s Writing in Ireland
Dominique NICOLAS: The Last September by Elizabeth Bowen, or A Chronicle of a Foreshadowed Death
Ann Owens WEEKES: Martyrs to Mistresses? The Mother Figure in Edna O’Brien’s Fiction
Deborah COTTREAU: After Easter: Critical Reception and Belfast
Notes on Contributors and Editors
Index