Buch, Englisch, Band 9, 329 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 735 g
Beckett et la religion/Beckett/L'Esthétique/La politique
Buch, Englisch, Band 9, 329 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 735 g
Reihe: Samuel Beckett Today / Aujourd'hui
ISBN: 978-90-420-1404-6
Verlag: Brill | Rodopi
Fachgebiete
Weitere Infos & Material
Marius BUNING: Introduction. Avant-Propos.
PART 1: BECKETT AND RELIGION
1. Mary BRYDEN and Lance BUTLER: Introduction to “Beckett and Religion.” SECTION 1: THE PERFORMATIVE
2. Shimon LEVY: On and Offstage: Spiritual Performances in Beckett’s Drama
3. Junko MATOBA: Religious Overtones in the Darkened Area of Beckett's Later Short Plays.
SECTION 2: CHRISTIAN TRADITION AND DEVOTIONAL WRITING
4. Marius BUNING: First Stirring of the “Via Negativa” in Eleutheria
5. Birgitta JOHANSSON: Beckett and the Apophatic in Selected Shorter Texts.
6. Garin DOWD: Figuring Zero in the Lost Ones.
7. Chris ACKERLEY: Samuel Beckett and Thomas A Kempis: The Roots of Quietism.
SECTION 3: INCARNATION, THE WORD-MADE-FLESH
8. Derval TUBRIDY: Words Pronouncing me Alive: Beckett and Incarnation.
9. Jane WALLING: “Dim Whence Unknown”: Beckett and the Inner Logos.
10. Paul DAVIES: “Womb of the Great Mother Emptiness”: Beckett, the Buddha and the Goddess.
SECTION 4: WITNESSING RELATIONSHIP
11. Colin DUCKWORTH: Beckett and the Missing Sharer.
12. Joseph LONG: Divine Intertextuality: Beckett, Company, Le Dépeupleur.
13. Daniela CASELLI: “God that Old Favourite”: Issues of Authority in How It Is.
14. Elizabeth BARRY: “Faith Cometh by Hearing, and Hearing by the Word of God”: The Status of Beckett’s Religious Language.
SECTION 5: NON-CONFERENCE ARTICLES
15. David HOUSTON JONES: Que foutait Dieu avant la création: Disabling sources in Beckett and Augustine.
16. Paul SARDIN: Beckett et la religion au travers du prisme du quelques textes courts auto-traduits.
PART 2: BECKETT/AESTHETICS/POLITICS
17. Peter BOXALL: Introduction to “Beckett/Aesthetics/Politics”
18.Leslie HILL: Beckett, Writing, Politics: Answering For Myself.
19.Sinead MOONEY: Integrity in a Surplice”: Beckett’s (Post-) Protestant Poetics.
20. Nicky MARSH: “All Known – Never Seen”: Susan Howe, Samuel Beckett and an Indeterminate Tradition.
21. Tyrus MILLER: Beckett's Political Technology: Expression, Confession, and Torture in the Later Drama.
22. Drew MILNE: Attacking the World's Portadownians: Beckett’s Early Politics
PART 3: FREE SPACE
23. Catherine LAWS: The Double Image of Music in Beckett's Early Fiction.
24. Julian GARFORTH: “Beckett, Unser Hausheiliger?”: Changing Critical Reactions to Beckett’s Directorial Work in Berlin.
