Utz Musical Composition in the Context of Globalization

New Perspectives on Music History in the 20th and 21st Century
1. Auflage 2021
ISBN: 978-3-8394-5095-6
Verlag: transcript
Format: PDF
Kopierschutz: Wasserzeichen (»Systemvoraussetzungen)

E-Book, Englisch, 528 Seiten, Format (B × H): 170 mm x 240 mm

Reihe: Musik und Klangkultur

Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

Autoren/Hrsg.

Utz, Christian

Weitere Mitwirkende

Willis, Laurence Sinclair

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Über Autor(innen)

Utz, Christian
Christian Utz is Professor of Music Theory and Analysis at the University of Music and Performing Arts Graz and an associate professor at the University of Vienna. He directed the FWF-funded research projects 'A Context-Sensitive Theory of Post-tonal Sound Organization' (2012-2014) and 'Performing, Experiencing and Theorizing Augmented Listening' (2017-2020).

Christian Utz is a professor for music theory and music analysis at the University of Music and Performing Arts Graz and an associate professor at the University of Vienna. He directed the FWF-funded research projects 'A Context-Sensitive Theory of Post-tonal Sound Organization' (2012-2014) and 'Performing, Experiencing and Theorizing Augmented Listening' (2017-2020).