Buch, Englisch, 299 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 411 g
Reihe: Arctic Encounters
The Making of an Arctic Archipelago
Buch, Englisch, 299 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 411 g
Reihe: Arctic Encounters
ISBN: 978-3-031-43843-1
Verlag: Springer Nature Switzerland
By drawing on a broad range of disciplinary backgrounds, this book illustrates the immense complexities of Svalbard as a place, point of reference, or social concept. It portrays the multiple, situated perspectives that characterize understandings and imaginings of Svalbard, and brings together contributions from academic fields that rarely interact with each other.
Svalbard Imaginaries contributes to a number of research contexts, ranging from a broadly conceived, multi-disciplinary field of ‘Arctic Studies’ to more disciplinary specific debates on how places are reworked at the interstices of various global flows and vice versa. It assembles contributions on imaginaries that cover a wide array of issues, including—but not limited to—Svalbard as a geopolitical site, a landscape, an image, a (mining) heritage assemblage, a tourist destination, a wilderness, a built environment, a site of knowledge production, a site of artistic engagement, and projections of the future. It deliberately assembles analyses that refer to a variety of timescales and covers representations of the past, the present, and possible futures of Svalbard.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Politikwissenschaft Regierungspolitik Umwelt- und Gesundheitspolitik
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kultursoziologie
- Geowissenschaften Geographie | Raumplanung Humangeographie
- Geowissenschaften Umweltwissenschaften Umweltpolitik, Umweltprotokoll
Weitere Infos & Material
Chapter 1. Imaginaries of and in Svalbard: the ‘Making’ of an Archipelago (Mathias Albert).- Part I: Svalbard in the Arctic: Territory and Sovereignty.- Chapter 2. Between Gateway and Theatre: Geopolitics, History and the Framing of Svalbard (Roald Berg and Klaus Dodds).- Chapter 3. Svalbard as a Norwegian Place and an International Legal Space (Christoph Humrich).- Part II: Imaginaries through Images.- Chapter 4. Visuals and Voices through Time: Imagining Svalbard with Naturrikdom och Kullgrubedrift på 78N (1962–1972) (Eva la Cour and Samantha M. Saville).-Chapter 5. The Arctic Imaginary as Reflected in the UK Television Series Fortitude (Dina Brode-Roger).- Chapter 6. Arctic Views – Virtual Remote Experiences: Reflections from the Field (Tyrone Martinsson).- Chapter 7. Arctic Imaginaries and Their Entangled Relationship(s) with Artistic Production on Svalbard (Dina Brode-Roger and Eva la Cour).- Part III: Heritage and Environments.- Chapter 8.Svalbard’s Urban Imaginaries (Peter Hemmersam).- Chapter 9. Imaginaries of Company Towns on Svalbard (Ulrich Schildberg).- Part IV: Living Imaginaries.- Chapter 10. A Collective Imagination on the Future of Svalbard Communities (Lisbeth Iversen).-Chapter 11. Imaginaries of Svalbard, Interdisciplinary Research and Fieldwork: Where Emergent Knowledge Surges (Jasmine Zhang).- Chapter 12. Pictures of the Arctic: Visitors’ Visions of Svalbard vis-à-vis their Experience in its Landscape (Martin Fiala).- Chapter 13 Conclusion: Imaginaries of and in Svalbard: What Is Being Made? (Dina Brode-Roger).