Early Modern Merchants as Collectors

1. Auflage 2016
ISBN: 978-1-4724-6982-3
Verlag: Routledge

Buch, Englisch, 284 Seiten, Format (B × H): 183 mm x 260 mm, Gewicht: 738 g

Reihe: Visual Culture in Early Modernity

Early Modern Merchants as Collectors encourages the rethinking of collecting not as an elite, often aristocratic pursuit, but rather as a vital activity that has engaged many different groups within society. The essays included in this volume consider merchants not only as important collectors in their own right, as opposed to merely agents or middlemen, but also as innovators who determined taste. Through bringing together contributions on merchant collectors across a wide geographical spread, including England, The Netherlands, Venice, Moghul India, China and Japan, among other locations, it aims to challenge the often Eurocentric view of the study of collecting that has shaped the discipline to date. The early modern period and its Wunderkammern formed the subject of some of the earliest, foundational texts on collecting. This volume expands on such previous scholarship, taking a more in-depth look at a particular class of collectors and investigating their motivations, social and economic circumstances, and the intellectual ideas and purposes that informed their collecting. It offers a fresh approach to the understanding of the role of merchants in early modern societies and will serve as a resource to historians of art, science, museums, culture and economics, as well as to scholars of transcultural studies.

Autoren/Hrsg.

Anderson, Christina M.

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Regierungspolitik Wirtschafts- und Finanzpolitik
• Geisteswissenschaften Kunst Kunst, allgemein Ausstellungskataloge, Museumsführer
• Wirtschaftswissenschaften Volkswirtschaftslehre Internationale Wirtschaft
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus

Inhaltsverzeichnis

Introduction: The Early Modern Merchant as a Collector

Christina M. Anderson

Part I: Beginning to Collect

1. The Commissioning and Collecting of Portraits by Merchants in Sixteenth- and Early Seventeenth-Century England

Tarnya Cooper

2. Portraits, Pearls and Things ‘wch are very straunge to owres’: The Lost Collections of the Thorne/Withypoll Trading Syndicate, 1520 – 1550

Heather Dalton

Part II: Behaving as Collectors

3. Tea and Commerce: Japanese Merchants in the Sixteenth Century as Collectors and Creators

Louise A. Cort

4. Gardening in Goa – Filippo Sassetti’s Experiences with Indian Medicine and Plants

Barbara Karl

Part III: The Role of Provenance

5. Imperial Treasures in the Hands of a Ming Merchant: Xiang Yuanbian’s Collection

Amy C. Riggs

6. Considered Judgement and Prestigious Provenance: Bartolomeo della Nave’s Acquisitions from the Collection of Pietro Bembo

Susan Nalezyty

Part IV: Collecting for a Specific Purpose

7. Boudewijn’s Books: A Dutch Golden Age Merchant and his Library

Henk Looijesteijn

8. Complementary Activities: Boschini, del Sera and Renieri as Merchants, Collectors and Painters in Seicento Venice

Taryn Marie Zarrillo

Part V: Dealers as Collectors

9. Between Collection and Stock. The Ambiguous Role of Merchants and Artisans in the Sixteenth-Century Roman Antiquities Market

Barbara Furlotti

10. Merchants as Collectors and Art Dealers: The Cases of Daniel Nijs and Carlo Hellemans, Flemish Merchants in Venice

Christina M. Anderson

Part VI: Later Generations of Merchant Collectors

11. Brothers in Collecting: Thomas and Jacob Rehdiger – Two Sixteenth-Century Silesian Art Collectors and Bibliophiles

Aleksandra Lipinska

12. Gaspard de Monconys, Provost-Marshal of the Merchants and Collector in Seventeenth-Century Lyon

Anne-Lise Tropato

Part VII: Merchants and Collecting in the Islamicate World

13. ‘Ali Akbar’s Red Horse – Collecting Arab Horses in the Early Modern Culture of Empire

Elizabeth Lambourn

Über Autor(innen)

Christina M. Anderson is British Academy Postdoctoral Fellow in the History Faculty, and Research Fellow in the Study of Collecting at the Ashmolean Museum, University of Oxford, UK.