An Exploration of Disciplinary Potential through Artistic Practice
Buch, Englisch, 149 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 3291 g
ISBN: 978-1-137-60439-2
Verlag: Palgrave Macmillan US
This book makes a timely and engaging contribution to geography’s resurgent interest in art and artistic practice, as well as to growing geographical concerns with embodied or pre-reflective experience. It introduces Eugene Gendlin’s philosophical and methodological work to stimulate geographical thinking and practice, and explores its disciplinary potential through innovative practice-based research into artistic spatial experience. Gendlin’s philosophy and techniques for articulating the pre-reflective are explained and illustrated using artists’ accounts of their practices, both retrospectively and during their practice. The geographical implementation of research methods informed by those techniques is detailed and critiqued. Diverse and potentially contradictory findings, and potentially problematic methodological choices, are discussed, accounted for, and reframed through Gendlin’s ideas. Significant geographical potential within Gendlin’s work—philosophical, conceptual and methodological—is identified and described, and avenues and challenges for further investigation are highlighted. This first step towards a Gendlin-informed geography invites further engagement with his work.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Philosophie Wissenschaftstheorie, Wissenschaftsphilosophie
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: 20./21. Jahrhundert
- Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Wissenschaften: Theorie, Epistemologie, Methodik
- Geisteswissenschaften Kunst Kunst, allgemein Kunst: Rezeption, Einflüsse und Beziehungen
- Geowissenschaften Geographie | Raumplanung Humangeographie
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
Weitere Infos & Material
1. Non-Representational Interest in Affect.- 2. Geographies of Artistic Practice.- 3. Implying and Occurring.- 4. Explication and Sharp Concepts.- 5. Progressions.- 6. Explicating the Implicit.- 7. Critiquing Explicatory Techniques.