Alien Audiences

Remembering and Evaluating a Classic Movie
2015. Auflage 2015
ISBN: 978-1-137-53205-3
Verlag: Palgrave MacMillan UK

Buch, Englisch, 139 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 2961 g

Released in 1979, Ridley Scott's Alien has come to be regarded as a classic film, and has been widely written about. But how have audiences engaged with it? This book presents the – sometimes very surprising – results of a major audience research project, exploring how people remember and continue to engage with the film.

Zielgruppe

Research

Autoren/Hrsg.

Barker, M.

Egan, K.

Ralph, S.

Phillips, T.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Kunst Kunst, allgemein

Inhaltsverzeichnis

Preface and Acknowledgements
1. The Alien Memories Project
2. Remembering a 'Masterpiece'
3. Gifting the Alien Experience
4. Remembering a First Encounter
5. Considering the Chestburster-Choosers: Realism and Repeat Viewing
6. Critical Conclusions
Bibliography
Appendix – The Questionnaire

Über Autor(innen)

Martin Barker is Emeritus Professor at Aberystwyth. He is Joint Editor of for the journal of audience and reception studies and has researched and published on a variety of topics including contemporary British racism, media panics and children's comics.

Kate Egan is a Senior Lecturer in Film Studies at Aberystwyth University. She is the author of Trash or Treasure?: Censorship and the Changing Meanings of the Video Nasties (2007) and The Evil Dead (2011), and co-editor (with Sarah Thomas) of Cult Film Stardom (2012).

Tom Phillips is a Tutor in Humanities at the University of East Anglia. He is the co-chair of the international Fan Studies Network, and his work has been published in Cultural Trends, Celebrity Studies and Transformative Works and Cultures.

Sarah Ralph is Lecturer in Media and Cultural Studies at Northumbria University. Published in Celebrity Studies, Participations and Critical Studies in Television, her research interests centre on media and cultural consumption, media industries and production, and women and the media.