Genre Trouble and Extreme Cinema

Film Theory at the Fringes of Contemporary Art Cinema
Softcover Nachdruck of the original 1. Auflage 2017
ISBN: 978-3-319-88125-6
Verlag: Springer International Publishing

Buch, Englisch, 244 Seiten, Previously published in hardcover, Format (B × H): 148 mm x 210 mm, Gewicht: 381 g

This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.

Zielgruppe

Research

Autoren/Hrsg.

Bordun, Troy

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

1. Introduction: Genre Trouble and Extreme Cinema.- 2. Carlos Reygadas, the Avant-Garde, and the Senses.- 3. !Que Viva Mexico!: Reygadas as Documentarian.- 4. I Don’t Know It When I See it: Catherine Breillat’s Pornography.- 5. Horrible Pornography: Fat Girl (À ma soeur!, 2001).- 6. Onscreen and Off-screen Flesh and Blood: Performance, Pornography, Ethics.- 7. Reframing Spectatorship Theory with Extreme Cinema.- 8. Conclusion: Know Genre, No Trouble.

Über Autor(innen)

Troy Bordun is a contract instructor in Sociology and Cultural Studies at Trent University in Ontario, Canada.