Burrows | A Choreographer's Handbook | Buch | 978-1-032-62901-8 | sack.de

Buch, Englisch, 272 Seiten, Format (B × H): 126 mm x 197 mm, Gewicht: 294 g

Burrows

A Choreographer's Handbook


2. Auflage 2024
ISBN: 978-1-032-62901-8
Verlag: Taylor & Francis Ltd

Buch, Englisch, 272 Seiten, Format (B × H): 126 mm x 197 mm, Gewicht: 294 g

ISBN: 978-1-032-62901-8
Verlag: Taylor & Francis Ltd


On choreography: ‘Choreography is a negotiation with the patterns your body is thinking.’

On rules: ‘Try breaking the rules on a need to break the rules basis.’

The updated and revised edition of 'A Choreographer’s Handbook' invites the reader to investigate how and why to make a dance performance. In an inspiring and unusually empowering sequence of stories, questions, ideas and paradoxes, internationally renowned choreographer Jonathan Burrows explains how it’s possible to navigate a course through this complex process.

It is a stunning reflection on a personal practice and professional journey, and draws upon many years of workshop discussions, led by Burrows.

Burrows’ open and honest prose gives the reader access to a range of principles, exercises, meditations and ideas on choreography that allow artists and dance-makers to find their own aesthetic process.

It is a book for anyone interested in making performance, at whatever level and in whichever style.

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Zielgruppe


Professional Practice & Development and Undergraduate Core


Autoren/Hrsg.


Weitere Infos & Material


Preface, 2nd edition    

Dancing / Principles  

Material         

Habits  

Repetition        

Repetition        

Repetition        

Improvisation / Cut and paste / Choreography            

Form    

Exploration / Risk      

Breaking the rules 

Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources  

Research / How and what? / Dramaturgy / Theory / Curiosity

Contract / Performance space

Self-expression

Abstract dance

Interview / Unfinished business / Questions / Principles                               

Financial limitations / Studios / Funding applications

Collaboration / Audience      

Preparation / Meetings / Rehearsal schedule / Heaviness                   

Originality / Ecology / Paradox           

Technique / Parrot on your shoulder / Authenticity /
Dancing / Style / Fiddling       

Virtuosity         

Specificity

Daily practice

Hoarding / Beginnings             

Endings

Keeping it going / Pacing

Change / Dub reggae / Simple material / Desperation

Predictable and unpredictable / Expectation

Stillness and silence    

Minimal and maximal

Solos, duos, trios, quartets                   

Many bodies / States    

Parallel Voices

Performance / Principles       

Distracting the self / Paradox / Choreography / Performance / Electric guitars

Does it work? / Showings / Mentoring            

Narrative / Ballet / Continuity           

Continuity / Material / Make six things / Choreography / Flow

Relation                     

Relation / Time / Rhythm        

Time

Counterpoint

Unison             

Scores / Studios / Translation / Sequencing / Improvisation  

Chance / Empty hands / Gamut of movements / Limitations / Laborious
work / Philosophy                    

Audience / Facing the front / Facing each other / Confrontation / Humour / Failure              

Place or space?

Audience           

Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what?       

The marketplace / Earning a living / Administrating the work / Commercial work / Commissions / Academia      

Music / Collaboration / Silence           

Text      

Lighting / Technicians / Collaboration / Costumes / Set
design / Nudity          

Filming / History / Collaboration / Mirrors / Human-scale 

Titles      

How can I simplify all of this?            

Forget all this


Jonathan Burrows is a choreographer, teacher and writer, whose work has been invited widely internationally. He is best known for an ongoing body of work with the composer Matteo Fargion, with whom he has collaborated for over 30 years. He is the author of 'A Choreographer’s Handbook' (Routledge 2010) and 'Writing Dance' (2022) and is currently Associate Professor at the Centre for Dance Research, Coventry University, UK.



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