Caught Between Cultures

Women, Writing & Subjectivities
Erscheinungsjahr 2002
ISBN: 978-90-420-1378-0
Verlag: Brill | Rodopi

Buch, Englisch, Band 52, 154 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 419 g

Reihe: Cross/Cultures

The essays in this collection ( on Canada, the USA, Australia and the UK) question and discuss the issues of cross-cultural identities and the crossing of boundaries, both geographical and conceptual. All of the authors have experienced cross-culturalism directly and are conscious that positions of ‘double vision’, which allow the / to participate positively in two or more cultures, are privileges that only a few can celebrate. Most women find themselves “caught between cultures”. They become involved in a day-to-day struggle, in an attempt to negotiate identities which can affirm the self and, at the same time, strengthen the ties which unites the self with others. Theoretical issues on cross-culturalism, therefore, can either liberate or constrict the /. The essays here illustrate how women's writing negotiates this dualism through a colourful and complex weaving of words - thoughts and experiences both pleasurable and painful - into texts, quilts, rainbows. The metaphors abound. The connecting thread through their writing and, indeed, in these essays, is the concept of ‘belonging’, a theoretical/emotional composite of be-ing and longing. ‘Home’, too, assumes a variety of meanings; it is no longer a static geographical place, but many places. It is also a place elsewhere in the imagination, a mythic place of desire linked to origin.
Policies of multiculturalism can throw up more problems than they solve. In Canada, the difficulties surrounding the cross-cultural debate have given rise to a state of “messy imbroglio”. Notions of authenticity move dangerously close to essentialist identities. ‘Double vision’ is characteristic of peoples who have been uprooted and displaced, such as Australian Aboriginal writers of mixed race abducted during childhood. ‘Passing for’ black or white is full of complications, as in the case of Pauline Johnson, who passed as an authentic Indian. People with hyphenated citizenship (such as Japanese-Canadian) can be either free of national ties or trapped in subordination to the dominant culture; in these ‘visible minorities’, it is the status of being female (or coloured female) that is so often ultimately rendered invisible.
Examination of Canadian anthologies on cross-cultural writing by women reveals a crossing of boundaries of gender and genre, race and ethnicity, and, in some cases, national boundaries, in an attempt to connect with a diasporic consciousness. Cross-cultural women writers in the USA may stress experience and unique collective history, while others prefer to focus on aesthetic links and literary connections which ultimately silence difference. Journeying from the personal space of the / into the collective space of the we is exemplified in a reading of texts by June Jordan and Minnie Bruce Pratt. For these writers identity is in process. It is a painful negotiation but one which can transform knowledge into action.

Autoren/Hrsg.

Weitere Mitwirkende

Russell, Elizabeth

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Postkoloniale Literatur
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Soziale Gruppen & Klassen
• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Regionalwissenschaften, Regionalstudien
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Preface
Acknowledgements
ELIZABETH RUSSELL: Introduction
ARITHA VAN HERK: Cross-Dressed Writing in Canada
ISABEL CARRERA SUÁREZ: Hyphens, Hybridities and Mixed-Race Identities: Gendered Readings in Contemporary Canadian Women’s Texts
MARÍA SOCORRO SUÁREZ LAFUENTE: Creating Women's Identity in Australian Civilization
DOLORS COLLELLMIR: Australian Aboriginal Women Writers and the Process of Defining and Articulating Aboriginality
ELIZABETH RUSSELL: Cross-Cultural Subjectivities: Indian Women Theorizing in the Diaspora
TERESA GÓMEZ REUS: Weaving / Framing / Crossing Difference: Reflections on Gender and Ethnicity in American Literary and Art Practices
MARY EAGLETON: Working Across Difference: Examples from Minnie Bruce Pratt and June Jordan
List of Contributors