Oscar Wilde and Nihilism

1. Auflage 2025
ISBN: 978-1-032-90063-6
Verlag: Routledge

Buch, Englisch, 248 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 515 g

Reihe: Routledge Studies in Nineteenth Century Literature

Oscar Wilde and Nihilism examines Wilde’s major works in the context of nineteenth-century philosophical nihilism and the Victorian religious unsettlement. The book covers Wilde’s plays, the fairy tales, The Picture of Dorian Gray, the critical writings, and De Profundis to show how Wilde’s thinking about nihilism developed over the course of his career, profoundly influencing the tone and message of his work. Like Nietzsche, Wilde came to regard art as the only effective counterforce to the problem of nihilism, a uniquely consistent source of order and meaning in a godless universe. The book is intended for the general reader with an interest in nihilism, aesthetics, or Wilde, as well as for more specialist scholars. The aim is to provide the reader with the answers of an exceptionally brilliant and original intellect to the most compelling problem in philosophy: how to find meaning and purpose in life.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Cavendish-Jones, Colin

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft

Inhaltsverzeichnis

Introduction Part I: A Definition of Nothing Part II: Nihilism in the Nineteenth Century Part III: The Artistic Counterforce and the Problem of Modernity

Chapter I: Vera, or the Nihilists: The first Wildean Superman

Chapter II: Not for Children: The Development of Nihilism in the Fairy Tales of Oscar Wilde

Chapter III: A poisonous book: Nihilism as Sickness and Art as the Cure in The Picture of Dorian Gray

Chapter IV: No law for anybody: Nihilism as Anarchy in The Soul of Man and the Social Comedies

Chapter V: The most supreme of individualists: Christ and the Conquest of Nihilism in De Profundis

Conclusion: French by Sympathy: Gide and Proust as the Aesthetic Heirs of Wilde

Über Autor(innen)

Colin Cavendish-Jones’ principal research interests are European nihilism; the Victorian religious unsettlement; the Romantic, Aesthetic, and Modernist movements; the reception of Classical literature; and the intersection of literature and philosophy, particularly in the nineteenth century. He has written on a variety of nineteenth- and early twentieth-century writers, including Pater, Wilde, Trollope, Hardy, Chesterton, and Proust, as well as on the reception of Shakespeare in the nineteenth century. Dr. Cavendish-Jones studied Classics at Magdalen College, Oxford, and subsequently practised as an international lawyer in London, Dubai, and the U.S.A. After working as a teacher, lecturer, journalist, and theatre director in numerous countries throughout Europe, Asia, and the Americas, he returned to academia and completed a Ph.D. in Victorian literature at the University of St. Andrews, focusing on the Aesthetic movement. He is currently a professor in the Department of English at Xiamen University Malaysia.