Cheek | Reimagining Lyric Diction Courses | Buch | 978-1-032-12774-3 | sack.de

Buch, Englisch, 124 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 300 g

Reihe: CMS Emerging Fields in Music

Cheek

Reimagining Lyric Diction Courses

Leading Change in the Classroom and Beyond: CMS Emerging Fields in Music
1. Auflage 2022
ISBN: 978-1-032-12774-3
Verlag: Routledge

Leading Change in the Classroom and Beyond: CMS Emerging Fields in Music

Buch, Englisch, 124 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 300 g

Reihe: CMS Emerging Fields in Music

ISBN: 978-1-032-12774-3
Verlag: Routledge


Drawing on 30 years of teaching experience, author Timothy Cheek demonstrates how a university lyric diction class—traditionally specialized and Eurocentric—can become transformative, through engaging students with other languages and cultures, and promoting diversity, equity, inclusivity, and antiracism.

Raising new possibilities for traditional lyric diction pedagogy, this book explores how to provide students with experiences that speed their growth, help them to see the big picture, spark their curiosity, clarify and expand their digital resources and skills, and set them on a path of international collaboration. Arguing against compartmentalization in voice curricula, and exploring opportunities for creativity, the author provides a guide to new approaches that will aid schools’ decisions about diction curricula in the challenging but promising era of 21st-century pedagogy.

Voice faculty, diction instructors, curriculum committees, graduate students in related fields, and music school administrators should all find this book insightful and thought-provoking as it goes to the heart of issues critical to the long-term development of today’s voice students.

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Zielgruppe


Academic, Postgraduate, and Professional


Autoren/Hrsg.


Weitere Infos & Material


Timothy Cheek is a Professor of Performing Arts/Vocal Arts at the University of Michigan, where he teaches diction, Czech vocal literature, and is a vocal coach. In addition to work as a collaborative pianist, he is the author of seven books on lyric diction and opera.



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