Words on Screen

Erscheinungsjahr 2017
ISBN: 978-0-231-17499-2
Verlag: Columbia University Press

Buch, Englisch, 272 Seiten, Print PDF, Format (B × H): 151 mm x 228 mm, Gewicht: 438 g

Reihe: Film and Culture Series

Michel Chion is well known in contemporary film studies for his innovative investigations into aspects of cinema that scholars have traditionally overlooked. Following his work on sound in film in Audio-Vision and Film, a Sound Art, Words on Screen is Chion's survey of everything the seventh art gives us to read on screen. He analyzes titles, credits, and intertitles, but also less obvious forms of writing that appear on screen, from the tear-stained letter in a character's hand to reversed writing seen in mirrors. Through this examination, Chion delves into the multitude of roles that words on screen play: how they can generate narrative, be torn up or consumed but still remain in the viewer's consciousness, take on symbolic dimensions, and bear every possible relation to cinematic space. With his characteristic originality, Chion performs a poetic inventory of the possibilities of written text in the film image. Taking examples from hundreds of films spanning years and genres, from the silents to the present, he probes the ways that words on screen are used and their implications for film analysis and theory. In the process, he opens up and unearths the specific poetry of visual text in film. Exhaustively researched and illustrated with hundreds of examples, Words on Screen is a stunning demonstration of a creative scholar's ability to achieve a radically new understanding of cinema.

Autoren/Hrsg.

Chion, Michel

Weitere Mitwirkende

Gorbman, Claudia

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Musikwissenschaft Musikgattungen Filmmusik

Inhaltsverzeichnis

List of IllustrationsPrefaceIntroductionPart I: An Infinite Inventory1. The Name on Screen2. Nondiegetic Writing3. Diegetic Writing as AthorybosPart II: Writing, Reading4. Fingers, Tablets, and Machines Writing5. From Books Undone, Films6. Half-Reading7. Hearing One Language and Reading AnotherPart III: Writing in Film Space8. Writing in the Land of Three Dimensions9. Anagrams and Clinamen10. ExcriptionGlossaryBibliographyIndex

Über Autor(innen)

Michel Chion is a composer of musique concrète, a filmmaker, an associate professor at the University of Paris III: Sorbonne Nouvelle, and a prolific writer on film, sound, and music. His previous books with Columbia University Press are The Voice in Cinema; Film, a Sound Art; and Audio-Vision: Sound on Screen.

Claudia Gorbman is emeritus professor of film studies at the University of Washington, Tacoma. She is the author of Unheard Melodies: Narrative Film Music, the editor of several books, and the author of many articles on film sound and film music. She has translated four other books by Michel Chion.