Buch, Englisch, Band 21, 302 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 835 g
Reihe: Lieven Gevaert Series
Entangled Images in Contemporary Art and Visual Culture
Buch, Englisch, Band 21, 302 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 835 g
Reihe: Lieven Gevaert Series
ISBN: 978-94-6270-042-0
Verlag: Leuven University Press
This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture. This volume also contains, as an artist’s contribution, a substantial and richly illustrated interview with Eric Baudelaire.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Eric Baudelaire (Paris), Brianne Cohen (Amherst College), Stefanie Diekmann (University of Hildesheim), Evgenia Giannouri (Paris 3 Sorbonne Nouvelle), Lilian Haberer (University of Cologne), Jana J. Haeckel (UCL), Ágnes Pethö (Sapientia University of Transylvania, Romania), Eivind Rossaak (National Library of Norway), Linda Schädler (ETH Zurich), Terry Smith (University of Pittsburgh), Alexander Streitberger (UCL), Hilde Van Gelder (KU Leuven).
Autoren/Hrsg.
Weitere Infos & Material
Introduction
Brianne Cohen & Alexander Streitberger Part 1 Coexisting Possibilities: Multilayered Time Economies
Cotemporality, Intermediality: Time and Medium in Contemporary ArtTerry SmithFutures Past: Imbricated Temporalities in Contemporary Panoramic Video ArtAlexander StreitbergerEco-Aesthetics, Massacres, and the PhotofilmicBrianne CohenSpecters, Animals, Youth, and Love: Inventing the Possible via Photofilmic Images Hilde Van Gelder
Part 2 The Possibility of the ImpossibleEric Baudelaire interviewed by Alexander Streitberger and Hilde Van Gelder Eric Baudelaire, Letters to Max (2014)
Part 3 Conflicting States: War, Labor, Media
Questioning the Representation of War: James Coleman's Ligne de foi and Other Works From the Late 20th CenturyLinda SchädlerStill Moving in Shenzhen: Gravity, the Stock Exchange, and the Return of the Worker in Zachary Formwalt's Unsupported Transit (2011)Evgenia GiannouriOpening Sequence, Standard Operation: Photography, Film, and the Computer in Errol Morris' Standard Operating Procedure (2008) Stefanie Diekmann
Part 4 Visualizing the Gap: Intermedial Gestures and Events Who Generates the Image Error? From Hitchcock to Glitch Eivind RøssaakFigurations of the Photofilmic: Stillness versus Motion—Stillness in Motionàgnes PethÅ‘Subtle Fractures in the Perception Modes of Media and Its Politics: Staging Photofilmic Imagery as a Form of Countervisuality Lilian HabererMasks, Drones, and Facelessness—Digital Face Culture in the Work of Hito Steyerl and Ryan Trecartin/Lizzie Fitch Jana Johanna Haeckel
Notes on Authors
