Law and Opera

1. Auflage 2018
ISBN: 978-3-319-68648-6
Verlag: Springer International Publishing

Buch, Englisch, 401 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 787 g

This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humanities. While, for example, the relationship between law and literature has been extensively researched, the relationship between Law and Opera remains largely overlooked. The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.

Zielgruppe

Research

Autoren/Hrsg.

Colombo, Giorgio Fabio

Annunziata, Filippo

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Rechtswissenschaften Recht, Rechtswissenschaft Allgemein Beziehungen des Rechts zu anderen Disziplinen
• Rechtswissenschaften Recht, Rechtswissenschaft Allgemein Rechtsvergleichung

Inhaltsverzeichnis

Introduction by Filippo Annunziata and Giorgio Fabio Colombo.- Part I – Law in Opera: Scalia/Ginsburg: the Rhythm of the US Federal Supreme Court by Francesca Benatti.- Exile and Identity: Findings of Fact and Opinions of Law in Bellini's La Straniera by Louis Bertone.- Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in I due Foscari by Angelo Pio Buffo.- “That may be Japanese law…but not in my country!”. Marriage, Divorce and Private International Law in Giacomo Puccini’s Madama Butterfly by Giorgio Fabio Colombo, Masabumi Suzuki and Dai Yokomizo.- Crime, Prosecution and Justice in Verdi’s Otello by Paolo Di Felice and Alessandro Accinni.- Le Nozze di Figaro and the Sunset of Ancien Régime Legacy on Modern Legal Culture by Elena Faletti.- Recurring Legal Issues in Italian Opera by Silvia Ferreri.- Le nozze di Wolfgang: About the Meaning of Marriage in Mozart’s Operas by Cesare Fertonani.- The Depiction of Crimes in Puccini’s Works by Pietro Gandetto.- The “Gesualdo Case” in Contemporary Melodrama by Giovanni Iudica.- Law and Fate in Norma, I Puritani, Aida and Tosca by Przemyslaw Krzywoszynski and Jan Wolenski.- Equality and Social Complexity. A Comparison between Idomeneo Re di Creta and Le Nozze di Figaro by Mariano Longo.- Revenge between Legal and Social Norms in Cavalleria Rusticana by Giuseppe Lorini.- Paternal Justice in Giuseppe Verdi’s Operas by Mario Antonio Riberi.- Giacomo Puccini’s Gianni Schicchi. Harmony in the System by Maria Teresa Sanza.- Part II – Law on Opera: The Voice of the Opera Singer and its Protection: Another Look at the Maria Callas Case by Julia Ammermann Yebra.- Critical Edition of an Opera: a New Look for an Old Lady? The Boundaries of Copyright Protection in the EU Countries by Giovanna Carugno.- A Little-known Source for the Public at the Paris Opéra: the Baux des Loges by Mark Darlow.- What is Allowed in the Opera? – Law as the Boundary of Artistic Experiment by Ewa Letowska and Krzysztof Pawlowski.- The Italian Scrittura Teatrale: a Peculiar Case of Unwritten Terms Integrating Contracts by Geo Magri.- Der Ring des Nibelungen - From a Criminal Law Perspective by Peter Lewisch.- Part III – Law around Opera: Law, Opera and the Baroque Mentality: Contradictions, Paradoxes and Dialogues by Mariana Lima Maia and Marcilio Toscano Franca Filho.- Schiller’s “An die Freude”, Beethoven’s Ninth and the Struggle over Europe’s Identity by Giorgio Resta.- The Current International and Music Society by Gustavo Troccoli Carvalho de Negreiros.- Nemorino’s Plagiarims. Author Copyright, Musical Theatre, and Circulation of Texts in the Siglo de Oro of Italian Opera by Filippo Annunziata.

Über Autor(innen)

Filippo Annunziata, Bocconi Universtiy, Angelo Sraffa Department of Legal Studies, Milan, Italy

Giorgio Fabio Colombo, Nagoya University, Graduate School of Law, Nagoya, Japan