Feminist Subjectivities in Fiber Art and Craft

Shadows of Affect
1. Auflage 2021
ISBN: 978-0-367-78575-8
Verlag: Taylor & Francis

Buch, Englisch, 182 Seiten, Format (B × H): 245 mm x 175 mm, Gewicht: 310 g

Reihe: Routledge Research in Gender and Art

This book interprets the fiber art and craft-inspired sculpture by eight US and Latin American women artists whose works incite embodied affective experience. Grounded in the work of Gilles Deleuze and Félix Guattari, John Corso-Esquivel posits craft as a material act of intuition. The book provocatively asserts that fiber art—long disparaged in the wake of the high–low dichotomy of late Modernism—is, in fact, well-positioned to lead art at the vanguard of affect theory and twenty-first-century feminist subjectivities.

Zielgruppe

Postgraduate and Undergraduate

Autoren/Hrsg.

Corso-Esquivel, John

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie

Inhaltsverzeichnis

List of Illustrations; Acknowledgments; Introduction; 1. Stranger Twins; 2. On Craft and Repetition; 3. Down to the Wire; 4. Subjectivities Before Subjects; 5. Matrixial Shadows; Index

Über Autor(innen)

John Corso-Esquivel is an associate professor at Oakland University in Rochester, Michigan. He has served terms as the Doris and Paul Travis endowed chair in art history at Oakland and the Critical Studies and Humanities Fellow at Cranbrook Academy of Art, USA.