Baroque, Venice, Theatre, Philosophy

Softcover Nachdruck of the original 1. Auflage 2017
ISBN: 978-3-319-84179-3
Verlag: Springer International Publishing

Buch, Englisch, 261 Seiten, Paperback, Format (B × H): 148 mm x 210 mm, Gewicht: 356 g

Reihe: Performance Philosophy

This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.

Zielgruppe

Research

Autoren/Hrsg.

Daddario, Will

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Barock, Klassizismus
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: Neuzeit
• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Geschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Introduction.- Part I. Baroque Pastoral.- Chapter 1. Garden Thinking and Baroque Pastoral.- Chapter 2. Pastoral Askew and Aslant.- Chapter 3. Jesuit Pastoral Theatre.- Part II. Discipline and Excess.- Chapter 4. Ruzzante Takes Place.- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo'.- Chapter 6. Baroque Diarchic Self.- Bibliography.- Index.

Über Autor(innen)

Will Daddario is Co-Editor with Karoline Gritzner of Adorno and Performance (2014) and with Laura Cull Ó Maoilearca of Manifesto Now! Instructions for Performance, Philosophy, Politics (2013). He is the Chair of the Performance and Philosophy Working Group within Performance Studies international and a founding member of the international network Performance Philosophy.