Cancino, J: Dynamics of Constraints

01. Auflage 2009
ISBN: 978-94-90389-02-4
Verlag: Leuven University Press

Buch, Englisch, Band 4, 48 Seiten, Format (B × H): 170 mm x 240 mm, Gewicht: 250 g

Reihe: Orpheus Research Centre in Music

The three essays of Dynamics of Constraints express some fundamental issues addressed by ORCiM’s research group ‘the musician’s relation to notation’. Paulo de Assis argues that critical editions should generate critical users, advocating for a new kind of editor and performer; Mieko Kanno’s contribution reflects the rapid expansion of the use of electronics in contemporary music, stating that every new work creates an original compositional environment, where the performer’s movement-sound co-ordination is given a new significance, while Juan Parra Cancino points towards a kind of composition, where both the performing and the listening experience don’t aim to achieve a 'final' version of the piece – an entity that might ever manifest.

Autoren/Hrsg.

de Assis, Paulo

Kanno, Mieko

Parra Cancino, Juan

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Über Autor(innen)

de Assis, Paulo
Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute.

Parra Cancino, Juan
Juan Parra Cancino is research fellow at Orpheus Research Centre in Music [ORCiM], Ghent.

Kanno, Mieko
Mieko Kanno is senior researcher at Orpheus Research Centre in Music [ORCiM], Ghent, head of Performance at the Department of Music, Durham University, U.K. and director of Durham University's Research Centre for Contemporary Music (CCM), U.K.