Screening the Afterlife

Theology, Eschatology, and Film
1. Auflage 2011
ISBN: 978-0-415-57258-3
Verlag: Taylor & Francis

Buch, Englisch, 200 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 463 g

Screening the Afterlife is a unique and fascinating exploration of the ‘last things’ as envisaged by modern filmmakers. Drawing on a range of films from Flatliners and What Dreams May Come to Working Girl and The Shawshank Redemption, it offers the first comprehensive examination of death and the afterlife within the growing field of religion and film. Topics addressed include:

- the survival of personhood after death

- the language of resurrection and immortality

- Near-Death Experiences and Mind-Dependent Worlds

- the portrayal of ‘heaven’ and ‘hell’.

Students taking courses on eschatology will find this a stimulating and thought provoking resource, while scholars will relish Deacy’s theological insight and understanding.

Autoren/Hrsg.

Deacy, Christopher

Fachgebiete

• Geisteswissenschaften Religionswissenschaft Sonstige Religionen Sonstige Religionen: Theologie, Doktrine
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Introduction. Acknowledgements 1. Mapping the Afterlife in Theology, Eschatology and Film 2. Resurrection or Immortality?: The Body and the Soul in Theology and Film 3. Near-Death Experiences and Mind-Dependent Worlds in Theology and Film 4. Towards a Cinematic Realized Eschatology: The Afterlife as Now 5. Heaven and the New Jerusalem as a Place on Earth: Case Studies of Working Girl and The Shawshank Redemption 6. Punishment or Rehabilitation?: Competing Perspectives on Hell in Theology and Film 7. Conclusion: Using Film to Revisit Eschatology. Bibliography. Index

Über Autor(innen)

Christopher Deacy is Senior Lecturer in Applied Theology at the University of Kent, UK. His books include Screen Christologies (2001), Faith in Film (2005) and Theology and Film (2008).