RECEVEZ CE MIEN PETIT LABEUR S

01. Auflage 2008
ISBN: 978-90-5867-650-4
Verlag: LEUVEN UNIV PR

Buch, Englisch, 312 Seiten, Format (B × H): 160 mm x 240 mm, Gewicht: 655 g

After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department’s reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humour in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in renaissance music, and Tinctoris’s art of listening. A wide range of methodological perspectives is offered, including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music. The publication is both a Festschrift in which distinguished specialists honour an outstanding colleague, and a Liber Amicorum compiled for a dear friend.

Autoren/Hrsg.

Delaere, Mark

Bergé, Pieter

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Mittelalter & Renaissance
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

CONTENTS

'Una cosa riuscita': Ignace Bossuyt's Academic Career

Mark Delaere & Pieter Bergé

List of Publications by Ignace Bossuyt

Humor in the Motets of Orlando di Lasso

Peter Bergquist

A new source, and new compositions, for Philippe de Monte

Stanley Boorman

Heinrich Isaac and his Recently Discovered Missa Presulem Ephebeatum

David J. Burn

Josquin in the Sources of Spain: An Evaluation of two Unique Attributions

Willem Elders

Old Testament Motets for the War of Cyprus (1570-71)

Ian Fenlon

Caron and Florence: A New Ascription and the Copying of the Pixérécourt Chansonnier

Sean Gallagher

The Officium of the Recollectio Festorum beate Marie Virginis by Gilles Carlier and Guillaume Du Fay:

Its Celebration and Reform in Leuven

Barbara Haggh

'Excellent For the Hand': Writing on John Bull's Keyboard Music in England

John Irving

Josquin, Willaert and Douleur me bat

Eric Jas

Gardano's Mottetti Del Frutto of 1538-39 and the Promotion of a New Style

Mary S. Lewis

La Prottola Antica e la Caccia. Indizi di un recupero formale e stilistico nelle prima metà del Cinquecento

Francesco Luisi

Die Entstehung der musikalischen Geschichte. Historisierung und ästhetische Praxis am Beispiel Josquins

Laurenz Lütteken

Notations modales au seizième siècle

Nicolas Meeùs

Notes from an Erasable Tablet

John Milsom

Self-Citation and Self-Promotion: Zarlino and the Miserere Tradition

Katelijne Schiltz

Beati Omnes, Qui timent Dominum à 5. Order: Von den Schwierigkeiten, Orlando di Lassos Motetten zu edieren

Bernhold Schmid

Über ,Nationalstile' in der Motette des 16. Jahrhunderts

Thomas Schmidt-Beste

An Unknown Organ Manuscript with Mainly Magnificat-Settings by Lassus (1626)

Eugeen Schreurs

La musique et l'éducation des jeunes filles. D'après La montaigne des pucelles

Den Maeghden-Bergh de Magdaleine Valéry (Leyde, 1599)

Henri Vanhulst

Johannes Tinctoris and the Art of Listening

Rob C. Wegman

Index of Names

Über Autor(innen)

Bergé, Pieter
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond.

Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

Delaere, Mark
Mark Delaere is Professor and Head of Musicology at KU Leuven. His research covers mainly music from the 20th and 21st centuries, with a special focus on the interaction of analysis, history, theory and aesthetics of music.