Buch, Englisch, 328 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 627 g
Buch, Englisch, 328 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 627 g
ISBN: 978-1-107-10153-1
Verlag: Cambridge University Press
In this book, Robert Doran offers the first in-depth treatment of the major theories of the sublime, from the ancient Greek treatise On the Sublime (attributed to 'Longinus') and its reception in early modern literary theory to the philosophical accounts of Burke and Kant. Doran explains how and why the sublime became a key concept of modern thought and shows how the various theories of sublimity are united by a common structure - the paradoxical experience of being at once overwhelmed and exalted - and a common concern: the preservation of a notion of transcendence in the face of the secularization of modern culture. Combining intellectual history with literary theory and philosophical analysis, his book provides a new, searching and multilayered account of a concept that continues to stimulate thought about our responses to art, nature and human events.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Barock, Klassizismus
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie
- Geisteswissenschaften Philosophie Ästhetik
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
Weitere Infos & Material
Introduction; Part I. Longinus' Theory of Sublimity: 1. Defining the Longinian sublime; 2. Longinus' five sources sublimity; 3. Longinus on sublimity in nature and culture; Part II. Sublimity and Modernity: 4. Boileau: the birth of a concept; 5. Dennis: terror and religion; 6. Burke: sublime individualism; Part III. The Sublimity of the Mind: Kant: 7. The Kantian sublime in 1764: 'Observations on the Feeling of the Beautiful and the Sublime'; 8. The sublime in the 'Critique of Practical Reason'; 9. The sublime in the 'Critique of the Power of Judgment'; 10. Judging nature as a magnitude: the Mathematically Sublime; 11. Judging nature as a power: the Dynamically Sublime; 12. Sublimity and culture in Kant.