Buch, Englisch, Band 10, 609 Seiten, Format (B × H): 155 mm x 235 mm
Reihe: Ius Comparatum
A Comparative Law Analysis of Lawful and Unlawful Streaming Services
Buch, Englisch, Band 10, 609 Seiten, Format (B × H): 155 mm x 235 mm
Reihe: Ius Comparatum
ISBN: 978-90-04-71150-1
Verlag: Brill
On the internet, music, films and TV shows are now just a few clicks away, readily available for listening or viewing. While piracy websites and file-sharing software initially disrupted the entertainment economy, the streaming technology has since been embraced by new operators, from Spotify to Netflix, providing an unprecedented abundance of cultural content.
Copyright laws around the world have addressed the many issues brought about by streaming services, whether lawful or not, ranging from copyright enforcement, artists’ remuneration to liability of video-sharing platforms and cultural diversity. This book presents an extensive comparative analysis of legislative and judiciary efforts to adapt to this technological and cultural revolution.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Legal Perspectives on the Streaming Economy – a Comparative Report
Séverine Dusollier
Questions Juridiques de L’economie du Streaming – Droit Compare
Séverine Dusollier
The Harmonized Law of Streaming in the EU – a Copyright and Related Rights Perspective
Martin Senftleben
Le Streaming À La Belge: Vers une Protection Renforcée des Auteurs Et Artistes-Interprètes ?
Julien Cabay
Copyright and Streaming in the Republic of Croatia
Romana Matanovac Vuckovic
Copyright and Streaming in the Czech Republic
Pavel Koukal and Matej Myška
Copyright and Streaming in Denmark
Thomas Riis
Le Streaming en Droit Français
Valérie-Laure Benabou
Copyright and Streaming in Germany
Dr. Christina Möllnitz
Copyright and Streaming in Hungarian Copyright Law
Péter Mezei and Barna Arnold Keseru
Copyright and Streaming in Italy
Margherita Colangelo
Copyright and Streaming in Poland
Beata Giesen and Kamil Pabian
The Regulation of Streaming Platforms in Portugal: a Copyright Study With a Touch of Media Law
Tito Rendas
Copyright and Streaming in Spain
Miquel Peguera and Vanesa Jiménez-Serranía
Copyright and Streaming – a UK Perspective
Hayleigh Bosher
Copyright and Streaming in Turkey
Gül Okutan Nilsson, Eda Çataklar and Zeynep Ülkü Kahveci
Streaming, Copyright and Creators: a Canadian Perspective
Graham Reynolds
Copyright and Streaming in the United States
Irene Calboli
The Streaming Economy: a Brazilian Perspective
Sérgio Branco
Droit D’auteur et Streaming au Burkina Faso
Tonssira Myriam Sanou
Copyright and Streaming in Australia
Jacob Flynn and Rebecca Giblin
Copyright and Streaming in New Zealand
Cody Rei-Anderson and Susy Frankel
Copyright and Streaming in Japan
Tetsuya Imamura
Copyright and Streaming in Vietnam
Nguyen Phuong Thao
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