Mao's Images

Artists and China's 1949 transition
1. Auflage 2018
ISBN: 978-3-658-20824-0
Verlag: Springer

Buch, Englisch, 222 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 311 g

In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.

Zielgruppe

Research

Autoren/Hrsg.

Geng, Yan

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Politische Systeme Totalitarismus & Diktaturen
• Sozialwissenschaften Politikwissenschaft Politische Kultur Politische Propaganda & Kampagnen, Politik & Medien
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften Kommunikation & Medien in der Politik
• Geisteswissenschaften Kunst Kunststile Asiatische Kunst
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Image of political leader.- Art media and propaganda production.- Artists and politics.

Über Autor(innen)

Yan Geng is currently an assistant professor of Asian art history at the University of Connecticut, USA. She completed her Ph.D. study in East Asian art history at Heidelberg University in Germany in 2012 and received fellowships from Haus der Kunst in Munich and the Morphomata Center for Advanced Studies in the Humanities at the University of Cologne.