Connecting Art Markets

Guilliam Forchondt's Dealership in Antwerp (C.1632-78) and the Overseas Paintings Trade
Erscheinungsjahr 2016
ISBN: 978-90-04-31974-5
Verlag: Brill

Buch, Englisch, Band 1, 290 Seiten, Format (B × H): 162 mm x 241 mm, Gewicht: 709 g

Reihe: Studies in the History of Collecting & Art Markets

Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.

Autoren/Hrsg.

Ginhoven, Sandra van

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Geisteswissenschaften Kunst Kunstgeschichte
• Wirtschaftswissenschaften Wirtschaftswissenschaften Wirtschaftsgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Wirtschaftsgeschichte

Über Autor(innen)

Sandra van Ginhoven, Ph.D (2015), Duke University, is Research Associate II at the Getty Research Institute in Los Angeles. She has published articles on the role of art dealers and her research at the intersection between art history and economics engages tools for data analysis and visualization.