Goodnick Westenholz / Maurey / Seroussi Music in Antiquity

The Near East and the Mediterranean
1. Auflage 2014
ISBN: 978-3-11-034029-7
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 387 Seiten

Music was one component of the cultural continuum that developed in the contiguous civilizations of the ancient Near East and of Greece and Rome. This book covers the range and gamut of this symbiosis, as well as scrutinizes archeological findings, texts, and iconographical materials in specific geographical areas along this continuum. The book, volume VIII of Yuval – Studies of the Jewish Music Research Centre at the Hebrew University, provides an updated scholarly assessment of the rich soundscapes of ancient civilizations.

Zielgruppe

Academics in the fields of ancient Jewish history, Jewish culture

Autoren/Hrsg.

Goodnick Westenholz, Joan

Maurey, Yossi

Seroussi, Edwin

Fachgebiete

• Geisteswissenschaften Jüdische Studien Geschichte des Judentums Geschichte des Judentums: Biblische & Klassische Periode
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike Klassische Archäologie
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Archäologie spezieller Regionen und Zeitalter
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Alte Musik
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte

Inhaltsverzeichnis

1;List of Figures;9
2;Preface;13
3;I Prologue;21
3.1;A Brief Account of the Development of the Field of Music Archaeology;23
4;II Studies;25
4.1;The Mesopotamian Theory of Music and the Ugarit Notation — a Reexamination;27
4.2;Mesopotamian Music Theory since 1977;104
4.3;Sounds from the Divine: Religious Musical Instruments in the Ancient Near East;114
4.4;The Balag Instrument and Its Role in the Cult of Ancient Mesopotamia;141
4.5;The Ala-Instrument: Its Identification and Role;160
4.6;Musical Practices and Instruments in Late Bronze Age Ugarit (Syria);184
4.7;Nudity and Music in Anatolian Mythological Seduction Scenes and Iconographic Imagery;197
4.8;Illusions of Grandeur: The Instruments of Daniel 3 Reconsidered;213
4.9;Greek Epic and Kypriaka: Why “Cyprus Matters”;225
4.10;Aristophanes’ Phrynichos and the Orientalizing Musical Pattern;260
4.11;Aspects of Music Culture in the Land of Israel during the Hellenistic, Roman and Byzantine Periods: Sepphoris as a Case Study;285
4.12;Soothing Lyres and epodai: Music Therapy and the Cases of Orpheus, Empedocles and David;310
4.13;Sounds from under the Ashes: The Music of Cults and Mysteries in the Ancient Vesuvian Land;352
5;III Epilogue;375
5.1;Ancient Music in the Modern Classroom;377

Über Autor(innen)

Joan Goodnick Westenholz †, Bible Lands Museum, Jerusalem; Yossi Maurey and Edwin Seroussi, Hebrew University, Jerusalem