Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries

1. Auflage 2018
ISBN: 978-0-8153-9377-1
Verlag: Taylor & Francis Inc

Buch, Englisch, 256 Seiten, Format (B × H): 254 mm x 182 mm, Gewicht: 802 g

Reihe: Routledge Research in Art and Religion

This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a family’s heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating.

Autoren/Hrsg.

Green, Susan L.

Fachgebiete

• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionsgeschichte
• Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen

Inhaltsverzeichnis

Introduction, Chapter One The Tree of Jesse and the Speculum Humanae Salvationis, Chapter Two The Tree of Jesse and Saint Anne, Chapter Three The Tree of Jesse, the Carmelites, and other Religious Orders, Chapter Four The Tree of Jesse and the Schöllenbach Altarpiece: A Case Study, Chapter Five The Tree of Jesse and Antwerp Carved Altarpieces, Chapters Six The Tree of Jesse in Northern France, Conclusion, Appendices, Bibliography

Über Autor(innen)

Susan L. Green is an associate lecturer at the Courtauld Institute of Art and visiting lecturer at the New College of the Humanities, London.