Buch, Englisch, Band 4, 264 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 705 g
Buch, Englisch, Band 4, 264 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 705 g
Reihe: Studies in European Comics and Graphic Novels
ISBN: 978-94-6270-041-3
Verlag: LEUVEN UNIV PR
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Autoren/Hrsg.
Weitere Infos & Material
Simon Grennan and Laurence Grove
Introduction
Part 1: Dispossession: Simon Grennan's graphic adaptation of Trollope's John Caldigate
Jan Baetens
Adapting and displaying multiple temporalities: what became of Trollope's John Caldigate and Maupassant's Boule de Suif in Simon Grennan's Dispossession and Dino Battaglia's Contes et nouvelles de guerre?
John Miers in conversation with Simon Grennan
Dispossession: time, motion and depictive regimes
Hugo Frey
The tactic for illusion in Simon Grennan's Dispossession
Part 2: Nineteenth-century visualisations
Frederik Van Dam
Allegorical landscapes: the psychology of seeing in Anthony Trollope's later novels
David Skilton
Complex meanings in illustrated literature, 1860-1880
Roger Sabin
Comics versus books: the new criticism at the 'fin de siècle'
Barbara Postema
The visual culture of comics in the last half of the nineteenth century: comics without words
Part 3: Using the Victorians: appropriation, adaptation and historiography
Marie-Luise Kohlke
"Abominable pictures": neo-Victorianism and the tyranny of the sexual taboo
Ian Hague
Drawing “the apprenticeship of a man of letters”: adapting Remembrance of Things Past for 'bande dessinée'
Aarnoud Rommens
Allegories of graphiation: Alberto Breccia's counter-censorial versions of E. A. Poe's Valdemar
Peter Wilkins
An incomplete project: graphic adaptations of Moby-Dick and the ethics of response
Index
Gallery with colour figures