George Saunders

Critical Essays
1. Auflage 2017
ISBN: 978-3-319-49931-4
Verlag: Springer International Publishing

Buch, Englisch, 292 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 5005 g

Reihe: American Literature Readings in the 21st Century

This timely volume explores the signal contribution George Saunders has made to the development of the short story form in books ranging from CivilWarLand in Bad Decline (1996) to Tenth of December (2013). The book brings together a team of scholars from around the world to explore topics ranging from Saunders’s treatment of work and religion to biopolitics and the limits of the short story form. It also includes an interview with Saunders specially conducted for the volume, and a preliminary bibliography of his published works and critical responses to an expanding and always exciting creative œuvre. Coinciding with the release of the Saunders’ first novel, Lincoln in the Bardo (2017), George Saunders: Critical Essays is the first book-length consideration of a major contemporary author’s work. It is essential reading for anyone interested in twenty-first century fiction.

Zielgruppe

Research

Autoren/Hrsg.

Gronert Ellerhoff, Steve

Coleman, Philip

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren

Inhaltsverzeichnis

.- 1 "A Job to Do": George Saunders on, and at, Work.- 2 Horning In: Language, Subordination and Freedom in the Short Fiction of George Saunders.- 3 Language Between Lyricism and Corporatism: George Saunders’s New Sincerity.- 4 “Hope that, in future, all is well”: American Exceptionalism and Hopes for Resistance in Two Stories by George Saunders.- 5 Hanging by a Thread in the Homeland: The Four Institutional Monologues of George Saunders.- 6 Biopolitical Dystopias, Bureaucratic Carnivores, Synthetic Primitives: “Pastoralia” as Human Zoo.- 7 Ghosts and Theme Parks: The Supernatural and the Artificial in George Saunders’s Short Stories.- 8 The Absent Presence of the Deus Absconditus in the Work of George Saunders.- 9 Narrative Empathy in George Saunders’s Short Fiction.- 10 Cruel Inventions: George Saunders’s Literary Darkenfloxx™.- 11 Dreaming and Realizing “The Semplica Girl Diaries”: A Post-Jungian Reading.- 12  Everyday Zombies: Ethics and the Contemporary in George Saunders’s “Sea Oak” and “Brad Carrigan, American”.- 13 “Third Person Ventriloquism”: Microdialogues and Polyphony in George Saunders’s “Victory Lap”.- 14 “A little at a time. And Iteratively”: A Conversation with George Saunders.

Über Autor(innen)

Philip Coleman is Associate Professor and Fellow at the School of English, Trinity College Dublin. His most recent books are John Berryman’s Public Vision: re-locating ‘the scene of disorder’ (2014), Berryman’s Fate: A Centenary Celebration in Verse (2014), and Critical Insights: David Foster Wallace (2015). He is currently co-editing a volume of John Berryman’s letters.
Steve Gronert Ellerhoff completed a PhD in the School of English, Trinity College Dublin, in 2014. His thesis was published as Post-Jungian Psychology and the Short Stories of Ray Bradbury and Kurt Vonnegut: Golden Apples of the Monkey House (2016). He is also the author of a novel, Time’s Laughingstocks (2013), a collection of short stories, Tales From the Internet (2015), and other fiction appearing online and in print.