Youth Voice and Participatory Arts in Global Development

1. Auflage 2025
ISBN: 978-1-032-54762-6
Verlag: Taylor & Francis

Buch, Englisch, 214 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 476 g

Reihe: Routledge Explorations in Development Studies

Youth Voice and Participatory Arts in Global Development looks at how arts-based methods can promote youth voice and engagement in global development.

This book argues that engaging young people’s diverse voices, ideas and knowledges in matters that affect them is vital in enabling young people to become – and be recognised as – active citizens, developing more inclusive societies and ensuring that development programmes remain accountable to the young people they aim to benefit. We draw on youth-led participatory research projects from across Africa, Asia, Europe and Latin America, which used a range of art forms and engagement mechanisms, including participatory filmmaking, street art and the intersection of formal and non-formal education. Through this process, we develop the conceptualisation of transrational voice for epistemic justice and demonstrate the unique role that arts-based methods play in enabling this broad conceptualisation of voice that accounts for the multiple dimensions of young people's knowledges and experiences.

This book will be of interest to researchers within international development, arts and youth studies, as well as to development practitioners, and anyone interested in promoting epistemic justice with and for young people.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Group, The May

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Arbeit/Sozialpädagogik Community Care, Bildung, Freizeit, Freiwilligenarbeit
• Geisteswissenschaften Kunst Kunst, allgemein
• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
• Wirtschaftswissenschaften Volkswirtschaftslehre Internationale Wirtschaft Entwicklungsökonomie & Emerging Markets
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Entwicklungsstudien

Inhaltsverzeichnis

1. Youth Voice, Epistemic Justice and Arts-Based Development  2. Young People in the Context of Global Challenges and Development Policy  3. Theorising (Youth) Voice, ‘Sayability’ and the Transrational  4. The Transrational Art of Youth Development  5. Socio-Economic Justice through Participatory Processes  6. The Transrational, Education and Social Change  7. Moving the Conversation On  Appendix: Summary of the Main Commissioned Changing the Story Projects

Über Autor(innen)

The May Group consists of:

Alyson Brody is an established gender and social inclusion researcher and consultant, with a background in social anthropology. She is the Former Head of BRIDGE, a gender and development research and policy programme at the Institute of Development Studies.

Paul Cooke is Centenary Professor of World Cinemas, University of Leeds, UK. The films he has produced have been shown at over 100 film festivals and have won over 50 awards.

Lou Harvey is Associate Professor in Education at University of Leeds, UK. Their research has focused on various educational settings, including higher education, informal arts-based education, adult migrant language education and social circus.

Katie Hodgkinson is a Lecturer in Education in Global Development at the University of Leeds, UK. Her research primarily examines youth engagement in formal and non-formal education for social justice and peacebuilding in conflict-affected contexts.

Faith Mkwananzi is a research fellow at the Centre for Development Support at the University of the Free State, South Africa. Her work is interdisciplinary and located at the intersection of (higher) education and global development.

Inés Soria-Donlan is Research Manager: Creativity, Partnerships & Impact at the Horizons Institute, an interdisciplinary research incubator to address complex challenges at the University of Leeds, UK. She has worked with participatory arts approaches across the cultural and research sectors since 2013.