Buch, Englisch, 506 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 725 g
Buch, Englisch, 506 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 725 g
ISBN: 978-1-316-61089-3
Verlag: Cambridge University Press
This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.
Autoren/Hrsg.
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Geschichte der Naturwissenschaften, Formalen Wissenschaften & Technik
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Wissenschafts- und Universitätsgeschichte
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Klassisch (Griechisch & Römisch)
Weitere Infos & Material
Preface; 1. The evolution of ancient Greek musical notation; 2. Notation, instruments and the voice; 3. Notation in the handbooks; 4. Strings and notes; 5. Fine tuning; 6. Going beyond Ptolemy?; 7. Assisted resonance; 8. The extant musical documents; 9. Aulos types and pitches; 10. Before Aristoxenus; 11. Synthesis; Bibliography; Indices.