Unfinished Business

Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization
Erscheinungsjahr 2017
ISBN: 978-0-19-934859-6
Verlag: Oxford University Press

Buch, Englisch, 304 Seiten, Format (B × H): 154 mm x 233 mm, Gewicht: 430 g

How does structural economic change look and feel? How are such changes normalized? How are these trends represented in movement, in performance, and in culture? Looking at Detroit's postindustrial revitalization, The Heidelberg Project, and Michael Jackson's many performances, Unfinished Business argues that U.S. deindustrialization cannot be separated from issues of race, specifically from choreographed movements of African Americans that
represent or resist normative or aberrant relationships to work and capital in transitional times. Presenting Jackson and Detroit as material entities with specific histories and as representations with uncanny persistence, the book divulges invaluable lessons on three decades of structural economic transition in the U.S.,
particularly on the changing nature of work and capitalism between the mid-1980s and 2016. Jackson and Detroit offer examples of the racialization of these economic changes, how they operate as structures of feeling and representations as well as shifts in the dominant mode of production, and how industrialization's successor mode, financialization, uses imagery both very similar to and very different from its predecessor.

Autoren/Hrsg.

Hamera, Judith

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Musikwissenschaft Musikgattungen Andere zeitgenössische Musikrichtungen
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz

Über Autor(innen)

Judith Hamera is Professor of Dance in the Peter B. Lewis Center for the Arts, with affiliations in American Studies, Gender and Sexuality Studies, and Urban Studies, Princeton University. She is the author of Dancing Communities: Performance, Difference and Connection in the Global City (2007).