Social History of Art, Volume 3

Rococo, Classicism and Romanticism
3rd Auflage
ISBN: 978-0-415-19947-6
Verlag: Routledge

Buch, Englisch, 288 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 368 g

Reihe: Social History of Art, Boxed Set

First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.
This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Hauser, Arnold

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Barock, Klassizismus
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert Romantik (Kunstgeschichte)

Inhaltsverzeichnis

Chapter 1 The dissolution of courtly art; Chapter 2 The new reading public; Chapter 3 The origins of domestic drama; Chapter 4 Germany and the enlightenment; Chapter 5 Revolution and art; Chapter 6 German and western romanticism;

Über Autor(innen)

Arnold Hauser was born in Hungary and studied literature and the history of art at the universities of Budapest, Vienna, Berlin and Paris. In 1921 he returned to Berlin to study economics and sociology under Ernst Troeltsch. From 1923 to 1938 he lived in Vienna where he began work on The Social History of Art. He lived in London from 1938 until 1977, when he returned to his native Hungary. He died in Budapest in 1978., Jonathan Harris is Senior Lecturer in Art History and Critical Theory at the University of Keele. He is the author of Federal Art and National Culture: The Politics of Identity in New Deal America (1995), co-author of Modernism in Dispute: Art Since The Forties (1993) and co-editor of Art in Modern Culture: An Anthology of Critical Texts (1992).