Buch, Englisch, 336 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 672 g
Spatial Productions of Gender in Modern Architecture
Buch, Englisch, 336 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 672 g
ISBN: 978-0-415-34138-7
Verlag: Routledge
In the home the intricate relations between architecture, gender and domesticity become visible. Negotiating Domesticity investigates the many and complex themes evoked by the interconnections between these terms.
Topics covered include famous as well as less well-known architectural examples and architects, which are explored from sociological, anthropological, philosophical and psychoanalytical approaches. The authors explore the relationships between modern domestic spaces and sexed subjectivities in a broad range of geographical locations of Western modernity.
This richly interdisiplinary work presents architects and postgraduate students with an in-depth exploration of domesticity in the modern era.
Zielgruppe
Architects, students of gender studies and women's studies
Autoren/Hrsg.
Weitere Infos & Material
Introduction: Modernity and Domesticity. Tensions and Contradictions. Figures of Woman in Contemporary Architectural Discourse. Gendered Subjects: 'A Citizen as well as a Housewife.' New Spaces of Domesticity in 1930s London. The Housewife, the Builder and the Desire for a Polykatoikia Apartment in Post-War Athens. Promoting Catholic Family Values and Modern Domesticity in Post-War Belgium. Rehearsing Domesticity: Post-War Pocono Honeymoon Resorts. Sexual Articulations: 'Only where Comfort Ends does Humanity Begin.' On the Coldness of Avant-Garde Architecture in the Weimar Period. The Uncanny Architect: Fears of Lesbian Builders and Deviant Homes in Modern Germany. A Queer Analysis of Eileen Grey's E.1027. An Architecture of Twenty-Words: Intimate Details of a London Blue Plaque House. Denatured Domesticity: An Account of Femininity and Physiognomy in the Interiors of Frances Glessner Lee. Spatial Practices: Unequal Union: La Casa Estudio de San Angel Inn, c. 1929-1932. Looking at/in/from the Maison de Verre. The Third House: Marie-Jose Can Hee's Dealings with Domesticity. Photography's Veil: Reading Gender and Loo's Interiors. The Modernist Boudoir and the Erotics of Space.