Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 74 (2024)

Women: Female Roles in Art and Society of the Netherlands, 1500-1950
Erscheinungsjahr 2024
ISBN: 978-90-04-71074-0
Verlag: Brill

Buch, Englisch, Band 74, 308 Seiten, Format (B × H): 193 mm x 260 mm, Gewicht: 1125 g

Reihe: Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek

Long overdue in the history of the Netherlands Yearbook for History of Art, this volume foregrounds women as creators, patrons, buyers, and agents of change in the arts of the Low Countries. Venturing beyond the participation of ‘exceptional’ individuals, chapters investigate how women produced paintings, sculptures, scientific illustrations, and tapestries as well as their role in architectural patronage and personalized art collections. Teasing out a variety of socio-economic, legal, institutional, and art-theoretical dimensions of female agency, the volume highlights the role of visual culture in women’s lived experience and self-representation, asking to what extent women challenged, subverted, or confirmed societal norms in the Netherlands.

Autoren/Hrsg.

Honig, Elizabeth Alice

Weststeijn, Thijs

Noorman, Judith

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Kunst Kunst, allgemein

Inhaltsverzeichnis

NKJ volume 74: Women

Edited by Elizabeth Honig, Judith Noorman, and Thijs Weststeijn

Introduction

Dynamic Partnership: The Work of Married Women in Dutch Seventeenth-Century Artists’ Households

Marleen Puyenbroek

The Sculptor and the Sculptress: Gendering Sculpture Production in the Early Modern Low Countries

Elizabeth Rice Mattison

The Images and the Interventions of Adriana Perez in the Rockox Collection

Kendra Grimmett

Household Heroines: Maria van Nesse’s Memory-Book and the Interplay between the Art Market and Household Consumption

Judith Noorman

Weaving a Business: Clara de Hont’s (1664–1751) Tapestry Workshop in Amsterdam

Rudy Jos Beerens

Situational Awareness and Practices of Exchange in the Art of Johanna Helena Herolt and

Alida Withoos

Catherine Powell-Warren

Cultivating a Female Presence in the Early Eighteenth-Century Learned Community: The Printed Portraits of Maria de Wilde (1682–1729)

Lieke van Deinsen

Unmarried, Married, Widowed and Dead: Female Patrons of Architecture in Amsterdam (1680–1800)

Pieter Vlaardingerbroek

Caretaker of a Collection: The Case of Jo van Bilderbeek-Lamaison

Bert-Jaap Koops

We Could Hardly Refuse Them: Alida Pott and the Women of De Ploeg, 1918–1931

Anneke de Vries

Über Autor(innen)

Elizabeth Alice Honig is Professor of Northern European Art at the University of Maryland, and Professor Emerita at the University of California, Berkeley. She works on Dutch, Flemish, and British art.

Judith Noorman is Associate Professor in Early Modern Art History at the University of Amsterdam. From 2021 to 2026, she is Principal Investigator of The Female Impact, a research project funded by the Dutch Research Council (NWO).

Thijs Weststeijn is Professor of Art History before 1800 at Utrecht University, where he chairs the research project The Dutch Global Age (2023–2028).