Irwin | F. Scott Fitzgerald's Fiction | Buch | 978-1-4214-1230-6 | sack.de

Buch, Englisch, 248 Seiten, Format (B × H): 158 mm x 238 mm, Gewicht: 481 g

Irwin

F. Scott Fitzgerald's Fiction

"An Almost Theatrical Innocence"
Erscheinungsjahr 2014
ISBN: 978-1-4214-1230-6
Verlag: Johns Hopkins University Press

"An Almost Theatrical Innocence"

Buch, Englisch, 248 Seiten, Format (B × H): 158 mm x 238 mm, Gewicht: 481 g

ISBN: 978-1-4214-1230-6
Verlag: Johns Hopkins University Press


A personal interpretation of one of America’s most important writers.

“Fitzgerald’s work has always deeply moved me,” writes John T. Irwin. “And this is as true now as it was fifty years ago when I first picked up The Great Gatsby. I can still remember the occasions when I first read each of his novels; remember the time, place, and mood of those early readings, as well as the way each work seemed to speak to something going on in my life at that moment. Because the things that interested Fitzgerald were the things that interested me and because there seemed to be so many similarities in our backgrounds, his work always possessed for me a special, personal authority; it became a form of wisdom, a way of knowing the world, its types, its classes, its individuals.”

In his personal tribute to Fitzgerald's novels and short stories, Irwin offers an intricate vision of one of the most important writers in the American canon. The third in Irwin's trilogy of works on American writers, F. Scott Fitzgerald’s Fiction resonates back through all of his previous writings, both scholarly and poetic, returning to Fitzgerald's ongoing theme of the twentieth-century American protagonist's conflict between his work and his personal life. This conflict is played out against the typically American imaginative activity of self-creation, an activity that involves a degree of theatrical ability on the protagonist's part as he must first enact the role imagined for himself, which is to say, the self he means to invent.

The work is suffused with elements of both Fitzgerald's and Irwin's biographies, and Irwin's immense erudition is on display throughout. Irwin seamlessly ties together details from Fitzgerald's life with elements from his entire body of work and considers central themes connected to wealth, class, work, love, jazz, acceptance, family, disillusionment, and life as theatrical performance.

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Weitere Infos & Material


Preface
Acknowledgments
1. Compensating Visions in The Great Gatsby
2. Fitzgerald as a Southern Writer
3. The Importance of "Repose"
4. "An Almost Theatrical Innocence"
5. Fitzgerald and the Mythical Method
6. On the Son's Own Terms
Works Cited
Index


Irwin, John T
John T. Irwin is the Decker Professor in the Humanities at the Johns Hopkins University, where he formerly served as chair of the Writing Seminars. His previous books include The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story, recipient of the Modern Language Association’s Scaglione Prize for Comparative Literary Studies and Phi Beta Kappa's Christian Gauss Prize.

John T. Irwin is the Decker Professor in the Humanities at Johns Hopkins University. The first two books in his trilogy on American writers are Hart Crane’s Poetry: "Appollinaire lived in Paris, I live in Cleveland, Ohio" and The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story, both published by Johns Hopkins.



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