Buch, Englisch, 144 Seiten, Format (B × H): 253 mm x 177 mm, Gewicht: 488 g
Buch, Englisch, 144 Seiten, Format (B × H): 253 mm x 177 mm, Gewicht: 488 g
Reihe: Routledge Research in Gender and Art
ISBN: 978-1-032-28537-5
Verlag: Taylor & Francis Ltd
This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy. With different examples of conceptual perspectives, including representation, formalism, and mediumlessness, it seeks to diversify queer methodology for photography.
While primarily addressing photography, this book is entwined with broader philosophical questions concerning identity, difference, and the creations of systems of thought that limit the possibilities of existence to binary categorisation. It proposes a new concept of the photographic image that addresses its materiality, in the form of the poetic and the political, in relationship to a generative principle that is named as a queer quality: the photograph’s ability to voice queer concerns also beyond its role as representation.
This book will be of interest to scholars working in photography, art history, queer studies, new materialism, and posthumanism.
Zielgruppe
Postgraduate and Undergraduate
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
- Sozialwissenschaften Psychologie Psychologische Disziplinen Sexualpsychologie
- Geisteswissenschaften Kunst Kunstgeschichte
- Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen
Weitere Infos & Material
Acknowledgements
Introduction
1 Queer: What Is Queer Photography?
2 Representation: Capturing or Staging the Scene
3 Refigure: Writing the Photograph, Queerly
4 Skin: A Material Image
5 Measure: Paradigms of Exactitude
6 Ground: On the Margins of Photography
Conclusion