Models of Integrity

Art and Law in Post-Sixties America
1. Auflage 2019
ISBN: 978-0-520-29938-2
Verlag: University of California Press

Buch, Englisch, 320 Seiten, Cloth Over Boards, Format (B × H): 182 mm x 260 mm, Gewicht: 914 g

Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.

Autoren/Hrsg.

Kee, Joan

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Rechtswissenschaften Recht, Rechtswissenschaft Allgemein Beziehungen des Rechts zu anderen Disziplinen
• Rechtswissenschaften Ausländisches Recht Common Law (UK, USA, Australien u.a.)

Über Autor(innen)

Joan Kee is Associate Professor in the History of Art at the University of Michigan. Formerly a lawyer in Hong Kong and New York, she is the author of numerous articles on contemporary art and law as well as a widely reviewed book, Contemporary Korean Art: Tansaekhwa and the Urgency of Method.