Nightmare: From Literary Experiments to Cultural Project

Erscheinungsjahr 2012
ISBN: 978-90-04-22275-5
Verlag: Brill

Buch, Englisch, Band 10, 264 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 1240 g

Reihe: Russian History and Culture

What is a nightmare as a psychological experience, a literary experiment and a cultural project? Why has experiencing a nightmare under the guise of reading a novel, watching a film or playing a video game become a persistent requirement of contemporary mass culture? By answering these questions, which have not been addressed by literary criticism and cultural studies, we can interpret anew the texts of classic authors. Charles Maturin, Nikolai Gogol, Fyodor Dostoevsky, Thomas Mann, Howard Philips Lovecraft and Victor Pelevin carry out bold experiments on their heroes and readers as they seek to investigate the nature of nightmare in their works. This book examines their prose to reveal the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.

Zielgruppe

All these interested in cultural studies, literary criticism, especially Bakhtin, Russian classical literature, especially Gogol and Dostoevsky, the 19th century Gothic novel and contemporary Gothic, as well as in the nature of nightmare as a specific phychological experience.

Autoren/Hrsg.

Khapaeva, Dina

Weitere Mitwirkende

Tweddle, Rosie

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
• Geisteswissenschaften Literaturwissenschaft Literaturkritik: Hermeneutik und Interpretation

Inhaltsverzeichnis

Acknowledgements
Aulasaulalakaula

I The Nightmare of Literature

1 Sources
Unfinished experiments on the reader: Nikolai Gogol. The Petersburg Tales
“Nevsky Prospect”: The Gogol Code
Two “Portraits”: What Gogol’s Nightmare Is Made Of
“The Nose”: An Experiment of Literature
“Diary of a Madman”: The Tyranny of the Author
Gogol and the Devil: Materialization of a Nightmare

2 The Nightmare Alphabet
A. Victor Pelevin
Does Pelevin Fit Gogol’s Overcoat?
The Philosophical Ink-well
The Nightmare Formula
Mozart’s Infernal Fugue
Pursuits
The Void of Post-Soviet Selective Amnesia
B. Howard Phillips Lovecraft
‘Freezing Chatterings’
Bewitched
The Hedonism of Nightmares
Unholy and Paradoxical Laws
The Mutiny of the ‘Generator of Dreams’

3 The Muteness of Nightmares
Experiments on the Hero
Fyodor Mikhailovich Dostoevsky – The Double: A Petersburg Poem
The Scoundrel Hero
The Gogolian Awakenings of Titular Councillor Golyadkin
The Emotions of the Experimental Hero
The ‘True Story’ of the Nightmare
Lapses and Ruptures
The Hypnotics of the “Petersburg Poem”
The Seven Circles of The Double
Mr. Golyadkin’s Déjà Vu
Natasha Rostova’s Déjà Vu
Foresight and Presentiments
The Mumbling of Nightmares
Fyodor Dostoevsky. “The Landlady” and “Mr Prokharchin”
The Mute Hero
Ivan Semyonovich Prokharchin’s Pursuit
The Incantation
Experiments on the Writer. Mikhail Bakhtin. Problems of Dostoevsky’s Poetics
Self-Consciousness and the Menippea
The Double: A ‘Homophony of Corrupted Self-Consciousness’?
Bakhtin’s Reading of “Bobok”
Recording the Nightmare Sounds

4 Interpretation of the Nightmare: Thomas Mann. Joseph and His Brothers.
In the Jaws of History
Gaps in the Eternal Present
The Nightmare Temporal Horizon

II The Nightmare of Culture
The History of Literature and the Nightmare
The Culture of Nightmare Consumption
The Nightmare and the Subjectivity of Individual Time
Victor Pelevin and Vladimir Sorokin as Proof of the Gothic Aesthetic
1. Pelevin’s Gothic Path
2. Sorokin’s Madagascar

Über Autor(innen)

Dina Khapaeva (Professor and Chair, School of Modern Languages, Georgia Institute of Technology), is the author of four monographs (including Nouveau portrait de la Russie: essais sur la société gothique, translated from Russian by Nina Kehayan, Eds. de l’Aube, 2012 forthcoming) and has published more than 50 articles concerning historical memory, intellectual history, the history of culture and literary criticism.