Claude III Audran, Arbiter of the French Arabesque

Erscheinungsjahr 2024
ISBN: 978-94-6372-928-4
Verlag: Amsterdam University Press

Buch, Englisch, 252 Seiten, Format (B × H): 170 mm x 240 mm

Claude III Audran, Arbiter of the French Arabesque is the first substantial biographical study of Claude III Audran, a late 17th- and early 18th-century master of ornament and a proponent of cutting-edge design who took inspiration from contemporary sources. This work investigates Audran’s accomplishments and the factors that impacted the longevity and arc of his successful career, taking into consideration the contextual variables that influenced and shaped his work. Audran’s achievements bridge an important period with the eclipse of the Guild Maîtrise and the rise of the Académie royale. Audran subcontracted young artists, such as Watteau, Lancret, and Desportes, in order to circumvent restrictions on guild practice enacted by the crown. Looking at his commissions not only reveals the elite taste of his patrons, including Louis XIV, but also Audran’s ability to use elements from popular culture to animate his arabesques, which created hallmarks of rococo interior design.

Autoren/Hrsg.

Laux, Barbara

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Nicht-Graphische Kunstformen
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Barock, Klassizismus

Inhaltsverzeichnis

Acknowledgments

Introduction

Chapter 1 Biography of Claude III Audran (1658-1734)

Chapter 2 The French Arabesque as an Art Form, Audran as Master Ornamentalist and His Initial Commissioned Works

Chapter 3 Claude III Audran and Jean de La Fontaine’s Fables: Maintaining the Social Hierarchy

Chapter 4 Attracting New Patrons in the Eighteenth Century

Chapter 5 Claude III Audran’s Competitors and His Legacies

Illustrations

Appendix

Bibliography

Index

Über Autor(innen)

Laux, Barbara
Barbara Laux, Ph.D., is an independent researcher and is currently Senior Curatorial Assistant at the Yale Center for British Art. She earned an M.A. in the History of Decorative Arts and in Art History prior to her Ph.D. at the Graduate Center, City University of New York.