Boccherini′s Body - A Essay in Carnal Musicology

1. Auflage 2006
ISBN: 978-0-520-24017-9
Verlag: University of California Press

Buch, Englisch, 376 Seiten, Cloth Over Boards, Format (B × H): 163 mm x 231 mm, Gewicht: 736 g

In this elegant study of the works of the undeservedly neglected composer Luigi Boccherini, Elisabeth Le Guin uses knowledge gleaned from her own playing of the cello as the keystone of her original approach to the relationship between music and embodiment. In analyzing the striking qualities of Boccherini's music—its virtuosity, repetitiveness, obsessively nuanced dynamics, delicate sonorities, and rich palette of melancholy affects—Le Guin develops a historicized critical method based on the embodied experience of the performer. In the process, she redefines the temperament of the musical Enlightenment as one characterized by urgent, volatile inquiries into the nature of the self. A CD of sound examples, performed by the author and her string quartet, is included with the book.

Autoren/Hrsg.

Guin, Elisabeth Le

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Inhaltsverzeichnis

List of Illustrations
List of Music Examples
Acknowledgments
Introduction

1. “Cello-and-Bow Thinking”: The First Movement of Boccherini’s Cello Sonata in E Major, G. 566
2. “As My Works Show Me to Be”: Biographical
3. Gestures and Tableaux
4. Virtuosity, Virtuality, Virtue
5. A Melancholy Anatomy
6. “It Is All Cloth of the Same Piece”: The Early String Quartets
7. The Perfect Listener: A Re-creation

Appendix: Chronological Table of String Quartets
Notes
Bibliography
Index

Über Autor(innen)

Elisabeth Le Guin is Associate Professor of Musicology at the University of California, Los Angeles, and an internationally respected Baroque cellist.