Wirt und Gast oder aus Scherz Ernst

Lustspiel mit Gesang in zwei Aufzügen
1. Auflage 2008
ISBN: 978-1-84718-443-6
Verlag: Cambridge Scholars Publishing

Buch, Englisch, 250 Seiten

The subject-matter of Meyerbeer’s second opera Wirt und Gast, or Aus Scherz Ernst (also called Alimelek), written in Munich in 1812, was taken from a tale in The Arabian Nights. The story of the man who would be sovereign, if only for one day, so frequently treated in the literature of all nations. The opera is an example of the Oriental or “Turkish” operas which were so popular in Germany during the second third of the eighteenth century.
. The orchestra includes, besides the strings, doubled wood-wind, and threefold percussion, only two horns, two trumpets, and one trombone.
While Meyerbeer’s contemporaries were puzzled by the far-fetched singularity of the Alimelik music, and the work had no success in Stuttgart and Vienna (6 January 1813; 20 October 1814), Weber had the insight to recognize its true significance. He produced it Prague on 20 October 1815, and praised the "active, alert imagination, the well-nigh voluptuous melody, the correct declamation, the entire musical attitude." He was also impressed by the instrumentation: “It is surprisingly combined, interwoven with great delicacy, and consequently demands almost the care of a quartet performance.” Weber’s enduring admiration meant that he again produced the work in Dresden years later (1820), when he pointed out how this early opera “bears witness to the composer's singular emotional capacity.”
This edition reproduces the original Stuttgart MS, reflecting cuts made in the first performance.

Autoren/Hrsg.

Letellier, Robert

Über Autor(innen)

Letellier, Robert
Robert Ignatius Letellier was born in Durban on 11 August 1953, and educated in Grahamstown, Cambridge, Salzburg, Rome and Jerusalem. He is a member of Trinity College (Cambridge), the Salzburg Centre for Research in the Early English Novel (University of Salzburg), the Maryvale Institute (Birmingham), and the Institute for Continuing Education at Madingley Hall (Cambridge). Publications include books and articles on the late-seventeenth-, eighteenth- and early nineteenth-century novel (particularly the Gothic novel and Sir Walter Scott), the Bible, and European culture—with special emphasis on the Romantic opera and ballet, particularly the work of Giacomo Meyerbeer (a four-volume English edition of his diaries, a collection of studies, a reading of the operas, and a guide to research).

Robert Ignatius Letellier was born in Durban on 11 August 1953, and educated in Grahamstown, Cambridge, Salzburg, Rome and Jerusalem. He is a member of Trinity College (Cambridge), the Salzburg Centre for Research in the Early English Novel (University of Salzburg), the Maryvale Institute (Birmingham), and the Institute for Continuing Education at Madingley Hall (Cambridge). Publications include books and articles on the late-seventeenth-, eighteenth- and early nineteenth-century novel (particularly the Gothic novel and Sir Walter Scott), the Bible, and European culture—with special emphasis on the Romantic opera and ballet, particularly the work of Giacomo Meyerbeer (a four-volume English edition of his diaries, a collection of studies, a reading of the operas, and a guide to research).