Tango and the Dancing Body in Istanbul

1. Auflage 2023
ISBN: 978-1-032-01134-9
Verlag: Routledge

Buch, Englisch, 196 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 310 g

Reihe: Routledge Advances in Theatre & Performance Studies

Tango and the Dancing Body in Istanbul explores the expansion of social Argentine tango dancing among Muslim actors in Turkey, pioneered in Istanbul despite the conservative rule of the Justice and Development Party (JDP) and Tayyip Erdogan.

In this book, Melin Levent Yuna questions why a dance that appears to publicly represent an erotic relationship finds space to expand and increase dramatically in the number of contemporary Turkish Muslim tango dancers, particularly during a conservative rule. Even during the 2020 Covid-19 pandemic, tango dance classes, gatherings, and messages flourished on YouTube, Facebook, Instagram, and Zoom. Urban Turkey and its tango dance performances provide one symbol and example of how neoliberal capitalism could go hand in hand with conservatism by becoming a bridge between Europe and the Middle East. This study largely focuses on the dancers’ perspective while presenting the policies of Erdogan. It presents the social characteristics of the tango dancers, the meanings they attach to their bodies and their dance as well as what this dance reflects about them – besides the policies of the Justice and Development Party. The book approaches the tango dance and its dancing body in terms of layers of meaning systems in a neoliberal and conservative context.

This study will be of great interest to students and scholars in dance, anthropology, cultural studies, and performance studies.

Autoren/Hrsg.

Levent Yuna, Melin

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Religionssoziologie
• Geisteswissenschaften Islam & Islamische Studien Islam & Islamische Studien
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Ballett, Modern Dance
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Geschichte des Tanzes

Inhaltsverzeichnis

Preface

Introduction

I Concepts and tools: Contemporary self, identity, class, and more

A Reintroduction

II Leisure, consumption, and class – One mode of being an upper-middle class

III Becoming the conteporary tango dancer: Bailemos el Tango

IV One mode of being an upper – middle class in Istanbul – Bodies, self, and the attached meanings, Part I

V Bodies, self, and the attached meanings, Part II

VI Bodies, self, and the attached meanings, Part III

Conclusion

Index

Über Autor(innen)

Melin Levent Yuna is a sociologist and a cultural anthropologist at Acibadem University, teaching various classes on these areas. In addition to her MA in sociology and PhD in cultural anthropology, she is a tango dancer herself, and has had a deep interest in Argentine tango dancing for many years.