Making Strange

Beauty, Sublimity, and the (Post) Modern ‘Third Aesthetic’
Erscheinungsjahr 2008
ISBN: 978-90-420-2433-5
Verlag: Brill | Rodopi

Buch, Englisch, Band 42, 190 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 336 g

Reihe: Postmodern Studies

This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear ‘strange’, and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this ‘strangeness’, the general reader is given an initial, non-technical description of the ‘aesthetic of the strange’ as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to ‘make it strange’. The book closes with a systematic summary of the theoretical underpinnings of the ‘aesthetic of the strange’, focussing on the ways in which it differs from both the earlier ‘aesthetic of the beautiful’ and the ‘aesthetic of the sublime’. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, ‘third’ kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the ‘aesthetic of the strange’, the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon.

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie

Inhaltsverzeichnis

List of Colour Plates
Introductory Note
The Aesthetic of the Strange
Not Beautiful, but Strange
Not Sublime, but Strange
The Aesthetic of the Strange
The Strange Art and Literature of Modernism
Radical Strangeness in Early Modernism
Varieties of Strangeness in the Later Phase of Modernism
The Strange Art and Literature of Postmodernism
New Radicalness in the Early Phase of Postmodernism
The Strange as Subtle Difference in the Later Phase of Postmodernism
The Aesthetic of the Strange as the Aesthetic of Modernism and Postmodernism
Theoretical Foundations of the Aesthetic of the Strange
Works Cited