Manuwald Nero in Opera

Librettos as Transformations of Ancient Sources
1. Auflage 2013
ISBN: 978-3-11-031751-0
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 418 Seiten

Reihe: ISSN

This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.

Zielgruppe

readers interested in history of culture and opera

Autoren/Hrsg.

Manuwald, Gesine

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikwissenschaft: Rezeption, Einflüsse und Beziehungen
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Partituren, Autographen, Libretti, Liederbücher
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike Römische Geschichte

Inhaltsverzeichnis

1;Preface and acknowledgements;5
2;1 Introduction;9
2.1;1.1 Aims and outline;9
2.2;1.2 Basis: the ancient sources and their reception in the Renaissance;20
2.3;1.3 Background: features of 17th- and 18th-century opera;29
2.4;1.4 Ubiquity: the artistic reception of the Nero story;38
3;2 Nero in opera;45
3.1;2.1 Busenello, L’incoronazione di Poppea (1642/43);45
3.2;2.2 Nero, Der Verzweifelte Und dadurch Das bedrengte Reich Befreyende (1663);54
3.3;2.3 Aureli, Claudio Cesare (1671/72);59
3.4;2.4 Corradi, Il Nerone / Nero (1678/79 / 1693);66
3.5;2.5 Nero, Der verzweiffelte Selbst-Mörder (1685);79
3.6;2.6 Contri, Agrippina in Baia (1687);85
3.7;2.7 Neri, L’ingresso alla gioventù di Claudio Nerone (1692);93
3.8;2.8 Noris, Nerone fatto Cesare (1692/93);103
3.9;2.9 Noris, Il ripudio d’Ottavia (1699);131
3.10;2.10 Silvani, La fortezza al cimento (1699);24
3.11;2.11 Feustking, Nero (1705);158
3.12;2.12 Feind, Octavia (1705);167
3.13;2.13 Grimani, Agrippina (1709);178
3.14;2.14 Piovene, Nerone / Nero (1721 / 1723);188
3.15;2.15 ‘Cimbaloni’, Nerone detronato (1725/26);201
3.16;2.16 Salfi, La congiura pisoniana (1797);208
3.17;2.17 Barbier, Néron (1879);216
3.18;2.18 Catelli, Nerone (1888);224
3.19;2.19 Boito, Nerone (1901 / 1924);233
3.20;2.20 Manén, Acté (1903 / 1908); Neró i Acté / Nero und Acté (1928);241
3.21;2.21 Cain, Quo vadis? (1908/09);248
3.22;2.22 Targioni-Tozzetti, Nerone (1935);254
4;3 Nero in pieces of other performative genres;263
4.1;3.1 Lohenstein, Agrippina (1665) - spoken drama;263
4.2;3.2 Lohenstein, Epicharis (1665) - spoken drama;269
4.3;3.3 Biancolelli, Il Nerone (1666) - spoken drama;276
4.4;3.4 Boccaccio, Il Nerone (1675) - spoken drama;285
4.5;3.5 Leva, Il Nerone (c. 1675-80) - spoken drama;295
4.6;3.6 Lazarino, Gli sponsali per l’impero (1682) - spoken drama;306
4.7;3.7 Alfieri, Ottavia (1783) - spoken drama;317
4.8;3.8 Legouvé, Épicharis et Neron (1794) - spoken drama;323
4.9;3.9 Panzieri, La morte di Nerone (1815/16) - ballet;331
4.10;3.10 Cossa, Nerone (1871) - spoken drama;337
4.11;3.11 Pallerini, Nerone (1877) - ballet;347
5;4 Conclusions;355
6;Appendices;367
6.1;App. 1: frequency and distribution of key motifs and main characters;367
6.2;App. 2: overview of all dramatic characters and their background;374
7;Bibliography;403

Über Autor(innen)

Gesine Manuwald, University College London, UK.