Translated and Visiting Russian Theatre in Britain, 1945-2015

A "Russia of the Theatrical Mind"?
1. Auflage 2020
ISBN: 978-3-030-44332-0
Verlag: Springer International Publishing

Buch, Englisch, 392 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 638 g

This book tackles questions about the reception and production of translated  and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers?  Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?

Zielgruppe

Research

Autoren/Hrsg.

Marsh, Cynthia

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte

Inhaltsverzeichnis

1. Setting the Scene.- 2. Gogol's Russia.- 3. From Merchant to Gentry Russia.- 4. Exposing Cultural Transfer.- 5. Confronting Modern Russias.- 6. Staging Russian Prose.-

Über Autor(innen)

Cynthia Marsh is Emeritus Professor of Russian Drama and Literature, University of Nottingham, UK. She has written extensively on Chekhov and Gorky as dramatists, and directed her own translations from Gorky, Ostrovsky and Chekhov. She has curated two exhibitions at Nottingham on Soviet war posters and on the marketing of Chekhov in Britain.