A Surrealist Stratigraphy of Dorothea Tanning's Chasm

1. Auflage 2016
ISBN: 978-1-4724-6344-9
Verlag: Taylor & Francis Ltd

Buch, Englisch, 142 Seiten, Format (B × H): 253 mm x 181 mm, Gewicht: 554 g

Reihe: Studies in Surrealism

In A Surrealist Stratigraphy of Dorothea Tanning’s Chasm, Catriona McAra offers the first critical study of the literary work of the celebrated American painter and sculptor Dorothea Tanning (1910–2012). McAra fills a major gap in the scholarship, repositioning Tanning’s writing at the centre of her entire creative oeuvre and focusing on a little-known short story "Abyss," a gothic-flavoured, desert adventure which Tanning worked on intermittently throughout her creative life, finally publishing it in 2004 as Chasm: A Weekend.

McAra performs a major reassessment of the visual and literary principles upon which the surrealist movement was initially founded. Combining a groundbreaking methodological approach with reference to cultural theory and feminist aesthetics as well as Tanning’s unpublished journals and notes, McAra reveals Tanning as a key player in contemporary art practice as well as in the historical surrealist milieu.

Autoren/Hrsg.

McAra, Catriona

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien

Inhaltsverzeichnis

Contents

List of Illustrations

Acknowledgements

Cast List and Key Scenes

Introduction: Excavating an Abyss: From Manuscript to Novel (1947-2004)

1 Unpacking Tanning’s Library

2 The Alternative Reality of Sedona

3 Surrealism in the Attic

4 The Fur of the Fairy Tale

5 Quoting "Tanning": Surrealist Heirlooms in Contemporary Practice

Bibliography

Appendices

Über Autor(innen)

Dr Catriona McAra is Curatorial and Exhibitions Manager at Leeds College of Art. She was awarded her doctorate in History of Art at the University of Glasgow (2012) and completed a postdoctoral fellowship at the Institute for Advanced Studies in the Humanities (IASH) at the University of Edinburgh (2013-2014).