McDonald | Biblical Criticism in Early Modern Europe | Buch | 978-1-107-12536-0 | sack.de

Buch, Englisch, 400 Seiten, Format (B × H): 155 mm x 238 mm, Gewicht: 676 g

McDonald

Biblical Criticism in Early Modern Europe

Erasmus, the Johannine Comma and Trinitarian Debate
Erscheinungsjahr 2016
ISBN: 978-1-107-12536-0
Verlag: Cambridge University Press

Erasmus, the Johannine Comma and Trinitarian Debate

Buch, Englisch, 400 Seiten, Format (B × H): 155 mm x 238 mm, Gewicht: 676 g

ISBN: 978-1-107-12536-0
Verlag: Cambridge University Press


Medieval western theologians considered the Johannine comma (1 John 5:7-8) the clearest biblical evidence for the Trinity. When Erasmus failed to find the comma in the Greek manuscripts he used for his New Testament edition, he omitted it. Accused of promoting Antitrinitarian heresy, Erasmus included the comma in his third edition (1522) after seeing it in a Greek codex from England, even though he suspected the manuscript's authenticity. The resulting disputes, involving leading theologians, philologists and controversialists such as Luther, Calvin, Sozzini, Milton, Newton, Bentley, Gibbon and Porson, touched not simply on philological questions, but also on matters of doctrine, morality, social order, and toleration. While the spuriousness of the Johannine comma was established by 1900, it has again assumed iconic status in recent attempts to defend biblical inerrancy amongst the Christian Right. A social history of the Johannine comma thus provides significant insights into the recent culture wars.

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Introduction: the birth of the Trinity; 1. Erasmus; 2. The Johannine comma in sixteenth-century bibles after Erasmus; 3. Raising the ghost of Arius: the Johannine comma and Trinitarian debate; 4. From Civil War to Enlightenment; 5. The Johannine comma in the long nineteenth century.


Mcdonald, Grantley
Grantley McDonald is a postdoctoral fellow at the Universität Wien, and leader of the research project 'The Court Chapel of Maximilian I: Between Art and Politics'. His research has been distinguished with prizes from the Australian Academy of the Humanities (Canberra) and the Praemium Erasmianum Foundation (Amsterdam). His recent work has focussed on print, religious radicalism and censorship.



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