McLeod / DiCola Creative License

The Law and Culture of Digital Sampling
1. Auflage 2011
ISBN: 978-0-8223-9352-8
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 336 Seiten

Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industrys approach to digital sampling.

Autoren/Hrsg.

McLeod, Kembrew

DiCola, Peter

Weitere Mitwirkende

Toomey, Jenny

Thomson, Kristin

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Rechtswissenschaften Wirtschaftsrecht Urheberrecht

Inhaltsverzeichnis

Acknowledgments vii

Introduction 1

1. The Golden Age of Sampling 19

2. A Legal and Cultural History of Sound Collage 36

3. The Competing Interests in Sample Licensing 75

4. Sampling Lawsuits: Hip-Hop Goes to Court 128

5. The Sample Clearance System: How It Works (and How It Breaks Down) 148

6. Consequences for Creativity: An Assessment of the Sample Clearance System 187

7. Proposals for Reform 217

Conclusion 258

Appendix 1: Interviewee List 269

Appendix 2: Interview Questions 273

Notes 283

Bibliography 303

Index 313

Über Autor(innen)

Kembrew McLeod is Associate Professor of Communication Studies at the University of Iowa. He is the author of Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property and Owning Culture: Authorship, Ownership, and Intellectual Property Law, and co-creator of the documentary film Copyright Criminals.Peter DiCola is Assistant Professor at Northwestern University School of Law. He is a board member and former Research Director of the Future of Music Coalition.