McLeod / Kuenzli Cutting Across Media

Appropriation Art, Interventionist Collage, and Copyright Law
1. Auflage 2011
ISBN: 978-0-8223-9321-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 376 Seiten

Collection of essays by academics and artists that considers the possibilities of appropriation art, the legal ramifications of such practices, and the intersection of popular culture and the avant-garde.

Autoren/Hrsg.

McLeod, Kembrew

Kuenzli, Rudolf

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte
• Rechtswissenschaften Wirtschaftsrecht Urheberrecht

Inhaltsverzeichnis

I Collage, Therefore I Am: An Introduction to Cutting Across Media / Kembrew McLeod and Rudolf Kuenzli 1

Digital Mana: On the Source of the Infinite Proliferation of Mutant Copies on Contemporary Culture / Marcus Boon 24

Copyrights and Copywrongs: An Interview with Siva Vaidhyanathan / Carrie McLaren 38

Das Plagiierenwerk: Convolute Uii / David Tetzlaff 51

PhotoStatic Magazine and the Rise of the Casual Publisher / Lloyd Dunn 57

Plagiarism®174; 101: An Appropriated Oral History of the Tape-beatles / Kembrew McLeod 76

Ambiguity and Theft / Joshua Clover 84

Where Does Sad News Come From? / Douglas Kahn 94

Excerpts from "Two Relationships to a Cultural Public Domain" / Negativland 117

Everybody's Got Something to Hide Except for Me and My Lawsuit: William S. Burroughs, DJ Danger Mouse, and the Politics of Grey Tuesday / Davis Schneiderman 132

How Copyright Law Changed Hip-Hop: An Interview with Public Enemy's Chuck D and Hank Shocklee / Kembrew McLeod 152

Hip-Hop Meets the Avant-Garde: A Cease and Desist Letter from Attorneys Representing Philip Glass / Warner Special Products 158

Getting Snippety / Philo T. Farnsworth 160

Crashing the Spectacle: A Forgotten History of Digital Sampling, Infringement, Copyright Liberation, and the End of Recorded Music / Kembrew McLeod 164

Billboard Liberation: A Photo Essay / Craig Baldwin 178

On the Seamlessly Nomadic Future of Collage / Pierre Joris 185

Cultural Sampling and Social Critique: The Collage Aesthetic of Chris Ofili / Lorraine Morales Cox 199

Remixing Cultures: Bartók and Kodály in the Age of Indigenous Cultural Rights / Gábor Vályi 219

A Day to Sing: Creativity, Diversity, and Freedom of Expression in the Network Society / Jeff Chang 237

Visualizing Copyright, Seeing Hegemony: Toward a Meta-Critique of Intellectual Property / Eva Hemmungs Wirtén 252

Collage as Practice and Metaphor in Popular Culture / David Banash 264

Assassination Weapons: The Visual Culture of New Wave Science Fiction / Rob Latham 276

Free Culture: A Conversation with Jonathan Lethem / Kembrew McLeod 290

The Ecstasy of Influence: A Plagiarism / Jonathan Lethem 298

Bibliography 327

Contributors 341

Index 345

Über Autor(innen)

Kembrew McLeod is Associate Professor of Communication Studies at the University of Iowa. He is the author of Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property and Owning Culture: Authorship, Ownership, and Intellectual Property Law, and co-creator of the documentary film Copyright Criminals. McLeod and Peter DiCola are the authors of Creative License: The Law and Culture of Digital Sampling, also published by Duke University Press.Rudolf Kuenzli is Professor of Comparative Literature and English at the University of Iowa, where he is the Director of the International Dada Archive.